Codici, testi, interpretazioni. Studi sull’epica romanza medievale, éd. Paolo Di Luca, Doriana Piacentino, Naples, Photocity Edizioni–Orientale U.P., 2015 ; 1 vol., 160 p. (Linguistiche e Filologie). ISBN : 978-88-6682-712-2. Prix : € 15,00

Marguerite de Valois’s Self Portrait in her MémoiresQueen Marguerite wrote her Mémoires in about 1600 and provided a founding self-portrait set in historical authenticity. Far from Brantôme’s rhetoric and his conventional praise, she intended to tell the truth about her moral being and historical...

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Wedi'i Gadw mewn:
Manylion Llyfryddiaeth
Prif Awdur: Suard, François
Fformat: Article ou chapitre numérique
Iaith:Français
Cyhoeddwyd: 2016
Mynediad Ar-lein:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RMA_221_0111zyRMALe Moyen Âge https://shs.cairn.info/revue-le-moyen-age-2016-1-page-LI?lang=fr https://doi.org/10.3917/rma.221.0111zy Codici, testi, interpretazioni. Studi sull’epica romanza medievale, éd. Paolo Di Luca, Doriana Piacentino, Naples, Photocity Edizioni–Orientale U.P., 2015 ; 1 vol., 160 p. (Linguistiche e Filologie). ISBN : 978-88-6682-712-2. Prix : € 15,00 Suard, François2016 fre Le Moyen Âge | CXXII | 1 | 2016-10-17 | p. LI-LI | 0027-2841 RMA_22159 Marguerite de Valois’s Self Portrait in her MémoiresQueen Marguerite wrote her Mémoires in about 1600 and provided a founding self-portrait set in historical authenticity. Far from Brantôme’s rhetoric and his conventional praise, she intended to tell the truth about her moral being and historical person through a new kind of writing, one that was stylistically simple and elegant, and appropriate for a cultured (male and female) public in the humanist era. Her self-portrait relates the notable facts of her political life, with attention paid to their intimate consequences; the narrative is chronological, yet rhythmically fragmented, thus allowing for an unobtrusive use of different literary genres and moods, borrowed from fiction (from novel to drama), travel diaries, and history. Marguerite appears to be a cultured humanist princess, wishing to appeal to society with a tale that is devoid of pedantry but immersed in literary memory, diffusing an image of her as a heroic and sensitive individual, thus continuing, in modern form, an ancient and renaissant tradition. The literary practice opened the way to a rich tradition of women’s memoirs that are societal, “sensitive,” and political all at the same time (Mlle de Montpensier, Hortense and Marie Mancini, Catherine of Russia, etc.).Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
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description Marguerite de Valois’s Self Portrait in her MémoiresQueen Marguerite wrote her Mémoires in about 1600 and provided a founding self-portrait set in historical authenticity. Far from Brantôme’s rhetoric and his conventional praise, she intended to tell the truth about her moral being and historical person through a new kind of writing, one that was stylistically simple and elegant, and appropriate for a cultured (male and female) public in the humanist era. Her self-portrait relates the notable facts of her political life, with attention paid to their intimate consequences; the narrative is chronological, yet rhythmically fragmented, thus allowing for an unobtrusive use of different literary genres and moods, borrowed from fiction (from novel to drama), travel diaries, and history. Marguerite appears to be a cultured humanist princess, wishing to appeal to society with a tale that is devoid of pedantry but immersed in literary memory, diffusing an image of her as a heroic and sensitive individual, thus continuing, in modern form, an ancient and renaissant tradition. The literary practice opened the way to a rich tradition of women’s memoirs that are societal, “sensitive,” and political all at the same time (Mlle de Montpensier, Hortense and Marie Mancini, Catherine of Russia, etc.).
author Suard, François
spellingShingle Suard, François
Codici, testi, interpretazioni. Studi sull’epica romanza medievale, éd. Paolo Di Luca, Doriana Piacentino, Naples, Photocity Edizioni–Orientale U.P., 2015 ; 1 vol., 160 p. (Linguistiche e Filologie). ISBN : 978-88-6682-712-2. Prix : € 15,00
author_facet Suard, François
author_sort Suard, François
title Codici, testi, interpretazioni. Studi sull’epica romanza medievale, éd. Paolo Di Luca, Doriana Piacentino, Naples, Photocity Edizioni–Orientale U.P., 2015 ; 1 vol., 160 p. (Linguistiche e Filologie). ISBN : 978-88-6682-712-2. Prix : € 15,00
title_short Codici, testi, interpretazioni. Studi sull’epica romanza medievale, éd. Paolo Di Luca, Doriana Piacentino, Naples, Photocity Edizioni–Orientale U.P., 2015 ; 1 vol., 160 p. (Linguistiche e Filologie). ISBN : 978-88-6682-712-2. Prix : € 15,00
title_full Codici, testi, interpretazioni. Studi sull’epica romanza medievale, éd. Paolo Di Luca, Doriana Piacentino, Naples, Photocity Edizioni–Orientale U.P., 2015 ; 1 vol., 160 p. (Linguistiche e Filologie). ISBN : 978-88-6682-712-2. Prix : € 15,00
title_fullStr Codici, testi, interpretazioni. Studi sull’epica romanza medievale, éd. Paolo Di Luca, Doriana Piacentino, Naples, Photocity Edizioni–Orientale U.P., 2015 ; 1 vol., 160 p. (Linguistiche e Filologie). ISBN : 978-88-6682-712-2. Prix : € 15,00
title_full_unstemmed Codici, testi, interpretazioni. Studi sull’epica romanza medievale, éd. Paolo Di Luca, Doriana Piacentino, Naples, Photocity Edizioni–Orientale U.P., 2015 ; 1 vol., 160 p. (Linguistiche e Filologie). ISBN : 978-88-6682-712-2. Prix : € 15,00
title_sort codici, testi, interpretazioni. studi sull’epica romanza medievale, éd. paolo di luca, doriana piacentino, naples, photocity edizioni–orientale u.p., 2015 ; 1 vol., 160 p. (linguistiche e filologie). isbn : 978-88-6682-712-2. prix : € 15,00
publishDate 2016
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url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-le-moyen-age-2016-1-page-LI?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rma.221.0111zy
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