Donatella Nebbiai, Le discours du livre. Bibliothèques et manuscrits en Europe, ixe–xve siècle, Rennes, P.U. Rennes, 2013 ; 1 vol., 311 p. (Histoire). ISBN : 978-2-7555-2847-5. Prix : € 18,00

Donatella Nebbiai, Le discours du livre. Bibliothèques et manuscrits en Europe, ixe–xve siècle, Rennes, P.U. Rennes, 2013 ; 1 vol., 311 p. (Histoire). ISBN : 978-2-7555-2847-5. Prix : € 18,00

Marguerite de Valois’s Self Portrait in her MémoiresQueen Marguerite wrote her Mémoires in about 1600 and provided a founding self-portrait set in historical authenticity. Far from Brantôme’s rhetoric and his conventional praise, she intended to tell the truth about her moral being and historical...

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Hlavní autor: Adam, Renaud
Médium: Article ou chapitre numérique
Jazyk:Français
Vydáno: 2016
On-line přístup:Accès Université d'Orléans et IFPM
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spelling cairn-RMA_221_0111zdRMALe Moyen Âge https://shs.cairn.info/revue-le-moyen-age-2016-1-page-XXX?lang=fr https://doi.org/10.3917/rma.221.0111zd Donatella Nebbiai, Le discours du livre. Bibliothèques et manuscrits en Europe, ixe–xve siècle, Rennes, P.U. Rennes, 2013 ; 1 vol., 311 p. (Histoire). ISBN : 978-2-7555-2847-5. Prix : € 18,00 Adam, Renaud2016 fre Le Moyen Âge | CXXII | 1 | 2016-10-17 | p. XXX-XXX | 0027-2841 RMA_22138 Marguerite de Valois’s Self Portrait in her MémoiresQueen Marguerite wrote her Mémoires in about 1600 and provided a founding self-portrait set in historical authenticity. Far from Brantôme’s rhetoric and his conventional praise, she intended to tell the truth about her moral being and historical person through a new kind of writing, one that was stylistically simple and elegant, and appropriate for a cultured (male and female) public in the humanist era. Her self-portrait relates the notable facts of her political life, with attention paid to their intimate consequences; the narrative is chronological, yet rhythmically fragmented, thus allowing for an unobtrusive use of different literary genres and moods, borrowed from fiction (from novel to drama), travel diaries, and history. Marguerite appears to be a cultured humanist princess, wishing to appeal to society with a tale that is devoid of pedantry but immersed in literary memory, diffusing an image of her as a heroic and sensitive individual, thus continuing, in modern form, an ancient and renaissant tradition. The literary practice opened the way to a rich tradition of women’s memoirs that are societal, “sensitive,” and political all at the same time (Mlle de Montpensier, Hortense and Marie Mancini, Catherine of Russia, etc.).Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
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description Marguerite de Valois’s Self Portrait in her MémoiresQueen Marguerite wrote her Mémoires in about 1600 and provided a founding self-portrait set in historical authenticity. Far from Brantôme’s rhetoric and his conventional praise, she intended to tell the truth about her moral being and historical person through a new kind of writing, one that was stylistically simple and elegant, and appropriate for a cultured (male and female) public in the humanist era. Her self-portrait relates the notable facts of her political life, with attention paid to their intimate consequences; the narrative is chronological, yet rhythmically fragmented, thus allowing for an unobtrusive use of different literary genres and moods, borrowed from fiction (from novel to drama), travel diaries, and history. Marguerite appears to be a cultured humanist princess, wishing to appeal to society with a tale that is devoid of pedantry but immersed in literary memory, diffusing an image of her as a heroic and sensitive individual, thus continuing, in modern form, an ancient and renaissant tradition. The literary practice opened the way to a rich tradition of women’s memoirs that are societal, “sensitive,” and political all at the same time (Mlle de Montpensier, Hortense and Marie Mancini, Catherine of Russia, etc.).
author Adam, Renaud
spellingShingle Adam, Renaud
Donatella Nebbiai, Le discours du livre. Bibliothèques et manuscrits en Europe, ixe–xve siècle, Rennes, P.U. Rennes, 2013 ; 1 vol., 311 p. (Histoire). ISBN : 978-2-7555-2847-5. Prix : € 18,00
author_facet Adam, Renaud
author_sort Adam, Renaud
title Donatella Nebbiai, Le discours du livre. Bibliothèques et manuscrits en Europe, ixe–xve siècle, Rennes, P.U. Rennes, 2013 ; 1 vol., 311 p. (Histoire). ISBN : 978-2-7555-2847-5. Prix : € 18,00
title_short Donatella Nebbiai, Le discours du livre. Bibliothèques et manuscrits en Europe, ixe–xve siècle, Rennes, P.U. Rennes, 2013 ; 1 vol., 311 p. (Histoire). ISBN : 978-2-7555-2847-5. Prix : € 18,00
title_full Donatella Nebbiai, Le discours du livre. Bibliothèques et manuscrits en Europe, ixe–xve siècle, Rennes, P.U. Rennes, 2013 ; 1 vol., 311 p. (Histoire). ISBN : 978-2-7555-2847-5. Prix : € 18,00
title_fullStr Donatella Nebbiai, Le discours du livre. Bibliothèques et manuscrits en Europe, ixe–xve siècle, Rennes, P.U. Rennes, 2013 ; 1 vol., 311 p. (Histoire). ISBN : 978-2-7555-2847-5. Prix : € 18,00
title_full_unstemmed Donatella Nebbiai, Le discours du livre. Bibliothèques et manuscrits en Europe, ixe–xve siècle, Rennes, P.U. Rennes, 2013 ; 1 vol., 311 p. (Histoire). ISBN : 978-2-7555-2847-5. Prix : € 18,00
title_sort donatella nebbiai, le discours du livre. bibliothèques et manuscrits en europe, ixe–xve siècle, rennes, p.u. rennes, 2013 ; 1 vol., 311 p. (histoire). isbn : 978-2-7555-2847-5. prix : € 18,00
publishDate 2016
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url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-le-moyen-age-2016-1-page-XXX?lang=fr
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