Autoportrait et emblématique princière à la fin du Moyen Âge
Self-Portraiture and Princely Iconography at the End of the Middle AgesIn all civilizations the very purpose of an emblem is to represent a physical or moral individual with a sign, thus producing a representation of this individual through an image, a portrait in the original meaning of the word. T...
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| Médium: | Article ou chapitre numérique |
| Jazyk: | Français |
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2016
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| On-line přístup: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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cairn-RMA_221_0067 |
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cairn |
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cairn-RMA_221_0067RMALe Moyen Âge https://shs.cairn.info/revue-le-moyen-age-2016-1-page-67?lang=fr https://doi.org/10.3917/rma.221.0067 Autoportrait et emblématique princière à la fin du Moyen Âge Hablot, Laurent2016 coats of armsdeviceheraldryportraitsymbolsfre Le Moyen Âge | CXXII | 1 | 2016-10-17 | p. 67-81 | 0027-2841 RMA_2216 Self-Portraiture and Princely Iconography at the End of the Middle AgesIn all civilizations the very purpose of an emblem is to represent a physical or moral individual with a sign, thus producing a representation of this individual through an image, a portrait in the original meaning of the word. The Middle Ages in the West also generated various systems of signs – heraldry especially, but crests, devices, and other ancillary emblematic forms as well – intended to make people and things known and recognized. The arrival of the realistic portrait – the ultimate emblem – in some way completes these successive attempts at designating the individual. The combined exploitation of these numerous signs of identity, more or less controlled by the person being represented, produced a kind of self-portrait which included a variety of facets of the remarkable being that was the medieval individual. Projection into an image, a true duplication of the self, which was often intended for self-celebration or, more accurately, as an empathic projection of spiritual significance, often allowed a prince to transcend his being, which appears to be one of the principles of self-portraiture.Cairn free access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| topic |
coats of arms device heraldry portrait symbols |
| spellingShingle |
coats of arms device heraldry portrait symbols Hablot, Laurent Autoportrait et emblématique princière à la fin du Moyen Âge |
| topic_facet |
coats of arms device heraldry portrait symbols |
| description |
Self-Portraiture and Princely Iconography at the End of the Middle AgesIn all civilizations the very purpose of an emblem is to represent a physical or moral individual with a sign, thus producing a representation of this individual through an image, a portrait in the original meaning of the word. The Middle Ages in the West also generated various systems of signs – heraldry especially, but crests, devices, and other ancillary emblematic forms as well – intended to make people and things known and recognized. The arrival of the realistic portrait – the ultimate emblem – in some way completes these successive attempts at designating the individual. The combined exploitation of these numerous signs of identity, more or less controlled by the person being represented, produced a kind of self-portrait which included a variety of facets of the remarkable being that was the medieval individual. Projection into an image, a true duplication of the self, which was often intended for self-celebration or, more accurately, as an empathic projection of spiritual significance, often allowed a prince to transcend his being, which appears to be one of the principles of self-portraiture. |
| author |
Hablot, Laurent |
| author_facet |
Hablot, Laurent |
| author_sort |
Hablot, Laurent |
| title |
Autoportrait et emblématique princière à la fin du Moyen Âge |
| title_short |
Autoportrait et emblématique princière à la fin du Moyen Âge |
| title_full |
Autoportrait et emblématique princière à la fin du Moyen Âge |
| title_fullStr |
Autoportrait et emblématique princière à la fin du Moyen Âge |
| title_full_unstemmed |
Autoportrait et emblématique princière à la fin du Moyen Âge |
| title_sort |
autoportrait et emblématique princière à la fin du moyen âge |
| publishDate |
2016 |
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| url |
https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-le-moyen-age-2016-1-page-67?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rma.221.0067 |
| _version_ |
1877246732077629440 |