Traces de la représentation dans le Jeu d'Adam
Traces of Performance in the Jeu d’Adam The Jeu d’Adam contains many metrically irregular lines which have been explained by the Anglo-Norman origin of its author, yet a closer analysis of this work shows that the original text was metrically regular. It therefore appears that the numerous additio...
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| フォーマット: | Article ou chapitre numérique |
| 言語: | Français |
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2014
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| オンライン･アクセス: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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cairn-RMA_193_0543 |
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cairn |
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cairn-RMA_193_0543RMALe Moyen Âge https://shs.cairn.info/revue-le-moyen-age-2013-3-page-543?lang=fr https://doi.org/10.3917/rma.193.0543 Traces de la représentation dans le Jeu d'Adam Chaguinian, Christophe2014 actorsAnglo-NormanJeu d'Adammouvancetheatreversificationfre Le Moyen Âge | CXIX | 3 | 2014-04-16 | p. 543-566 | 0027-2841 RMA_19349 Traces of Performance in the Jeu d’Adam The Jeu d’Adam contains many metrically irregular lines which have been explained by the Anglo-Norman origin of its author, yet a closer analysis of this work shows that the original text was metrically regular. It therefore appears that the numerous additions or deletions of lexical units are the result of mouvance. This article demonstrates that these changes were made by actors who modified their lines in order to improve their parts. The Jeu d’Adam is thus remarkable not only as the first known composition of the French repertoire, but also as a document that reveals how actors worked in the 13th century.Cairn free access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| topic |
actors Anglo-Norman Jeu d'Adam mouvance theatre versification |
| spellingShingle |
actors Anglo-Norman Jeu d'Adam mouvance theatre versification Chaguinian, Christophe Traces de la représentation dans le Jeu d'Adam |
| topic_facet |
actors Anglo-Norman Jeu d'Adam mouvance theatre versification |
| description |
Traces of Performance in the Jeu d’Adam The Jeu d’Adam contains many metrically irregular lines which have been explained by the Anglo-Norman origin of its author, yet a closer analysis of this work shows that the original text was metrically regular. It therefore appears that the numerous additions or deletions of lexical units are the result of mouvance. This article demonstrates that these changes were made by actors who modified their lines in order to improve their parts. The Jeu d’Adam is thus remarkable not only as the first known composition of the French repertoire, but also as a document that reveals how actors worked in the 13th century. |
| author |
Chaguinian, Christophe |
| author_facet |
Chaguinian, Christophe |
| author_sort |
Chaguinian, Christophe |
| title |
Traces de la représentation dans le Jeu d'Adam |
| title_short |
Traces de la représentation dans le Jeu d'Adam |
| title_full |
Traces de la représentation dans le Jeu d'Adam |
| title_fullStr |
Traces de la représentation dans le Jeu d'Adam |
| title_full_unstemmed |
Traces de la représentation dans le Jeu d'Adam |
| title_sort |
traces de la représentation dans le jeu d'adam |
| publishDate |
2014 |
| container_title |
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| container_issue |
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| url |
https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-le-moyen-age-2013-3-page-543?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rma.193.0543 |
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1877246730415636480 |