Inscriptions et images dans quelques romans en prose (XIIIe–XVe siècles)

Inscriptions and Images in Some Prose Romances (13th-15th C.) Starting from the Platonic idea that links writing to painting by virtue of their power of representation ( mimesis), and based on prose romances from the 13th to 15th Centuries ( Lancelot-Graal, Prose Tristan, Perceforest, René d’An...

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Auteur principal: Hériché Pradeau, Sandrine
Format: Article ou chapitre numérique
Langue:Français
Publié: 2013
Sujets:
Accès en ligne:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RMA_192_0375RMALe Moyen Âge https://shs.cairn.info/revue-le-moyen-age-2013-2-page-375?lang=fr https://doi.org/10.3917/rma.192.0375 Inscriptions et images dans quelques romans en prose (XIIIe–XVe siècles) Hériché Pradeau, Sandrine2013 ImageInscriptionLetterSignVisionfre Le Moyen Âge | CXIX | 2 | 2013-09-09 | p. 375-401 | 0027-2841 RMA_1921 Inscriptions and Images in Some Prose Romances (13th-15th C.) Starting from the Platonic idea that links writing to painting by virtue of their power of representation ( mimesis), and based on prose romances from the 13th to 15th Centuries ( Lancelot-Graal, Prose Tristan, Perceforest, René d’Anjou’s Le Cuer d’Amor Espris), which regularly inserted the text of inscriptions in their narratives, this article examines the visual power of these inscriptions, viewed from their purely iconic dimension within the narrative itself. The article then considers ways in which the inscribed characters are linked to the meaning of what is seen, either as material objects or as elements perceived within a dreamlike framework. Finally, inscriptions and images are considered jointly, their association apparently transformed into a relationship: between dream and reality, sacred and profane, or Time Past and Time Present.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
topic Image
Inscription
Letter
Sign
Vision
spellingShingle Image
Inscription
Letter
Sign
Vision
Hériché Pradeau, Sandrine
Inscriptions et images dans quelques romans en prose (XIIIe–XVe siècles)
topic_facet Image
Inscription
Letter
Sign
Vision
description Inscriptions and Images in Some Prose Romances (13th-15th C.) Starting from the Platonic idea that links writing to painting by virtue of their power of representation ( mimesis), and based on prose romances from the 13th to 15th Centuries ( Lancelot-Graal, Prose Tristan, Perceforest, René d’Anjou’s Le Cuer d’Amor Espris), which regularly inserted the text of inscriptions in their narratives, this article examines the visual power of these inscriptions, viewed from their purely iconic dimension within the narrative itself. The article then considers ways in which the inscribed characters are linked to the meaning of what is seen, either as material objects or as elements perceived within a dreamlike framework. Finally, inscriptions and images are considered jointly, their association apparently transformed into a relationship: between dream and reality, sacred and profane, or Time Past and Time Present.
author Hériché Pradeau, Sandrine
author_facet Hériché Pradeau, Sandrine
author_sort Hériché Pradeau, Sandrine
title Inscriptions et images dans quelques romans en prose (XIIIe–XVe siècles)
title_short Inscriptions et images dans quelques romans en prose (XIIIe–XVe siècles)
title_full Inscriptions et images dans quelques romans en prose (XIIIe–XVe siècles)
title_fullStr Inscriptions et images dans quelques romans en prose (XIIIe–XVe siècles)
title_full_unstemmed Inscriptions et images dans quelques romans en prose (XIIIe–XVe siècles)
title_sort inscriptions et images dans quelques romans en prose (xiiie–xve siècles)
publishDate 2013
container_title
container_issue
url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-le-moyen-age-2013-2-page-375?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rma.192.0375
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