Le Martyre de saint Lambert du « diptyque Palude » et les cérémonies de 1489 à la cathédrale de Liège

Le Martyre de saint Lambert du « diptyque Palude » et les cérémonies de 1489 à la cathédrale de Liège

The Martyrdom of Saint Lambert in the “Palude Diptych” and the Ceremonies held in 1489 in Liege Cathedral The representation of the Martyrdom of Saint Lambert in the “Palude Diptych” is an important work in the pictorial heritage of Liege. In order to explain its particular iconography, this stu...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autor principal: Bruyère, Paul
Formato: Article ou chapitre numérique
Lenguaje:Français
Publicado: 2012
Materias:
Henri ex Palude
Liege Cathedral
opening of reliquaries
Saint Lambert
Saints Peter and Audolet
Acceso en línea:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
id cairn-RMA_182_0329
record_format cairn
spelling cairn-RMA_182_0329RMALe Moyen Âge https://shs.cairn.info/revue-le-moyen-age-2012-2-page-329?lang=fr https://doi.org/10.3917/rma.182.0329 Le Martyre de saint Lambert du « diptyque Palude » et les cérémonies de 1489 à la cathédrale de Liège Bruyère, Paul2012 Henri ex PaludeLiege Cathedralopening of reliquariesSaint LambertSaints Peter and Audoletfre Le Moyen Âge | CXVIII | 2 | 2012-08-28 | p. 329-368 | 0027-2841 RMA_18242 The Martyrdom of Saint Lambert in the “Palude Diptych” and the Ceremonies held in 1489 in Liege Cathedral The representation of the Martyrdom of Saint Lambert in the “Palude Diptych” is an important work in the pictorial heritage of Liege. In order to explain its particular iconography, this study makes the first in-depth analysis of the political and religious context, as well as specific hagiographic and liturgical sources, of the town’s cathedral. The painting was commissioned by the cathedral’s cantor, Henri ex Palude († 1515), after he had presided over special ceremonies for the opening of shrines and the veneration of relics, which in turn led to the renewed veneration of Bishop Lambert’s nephews, Peter and Audolet, who were both assassinated at the same time as Saint Lambert. An unusual man, Henri ex Palude, both a lawyer involved in peace negotiations between the Hornes and La Marck families and a canon responsible for liturgical ceremonies, was intensely devoted to Saint Lambert. After demonstrating that the painting was not placed in the Cathedral, the author suggests that it was conceived as an altarpiece for the altar in the cantor’s cloister.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
topic Henri ex Palude
Liege Cathedral
opening of reliquaries
Saint Lambert
Saints Peter and Audolet
spellingShingle Henri ex Palude
Liege Cathedral
opening of reliquaries
Saint Lambert
Saints Peter and Audolet
Bruyère, Paul
Le Martyre de saint Lambert du « diptyque Palude » et les cérémonies de 1489 à la cathédrale de Liège
topic_facet Henri ex Palude
Liege Cathedral
opening of reliquaries
Saint Lambert
Saints Peter and Audolet
description The Martyrdom of Saint Lambert in the “Palude Diptych” and the Ceremonies held in 1489 in Liege Cathedral The representation of the Martyrdom of Saint Lambert in the “Palude Diptych” is an important work in the pictorial heritage of Liege. In order to explain its particular iconography, this study makes the first in-depth analysis of the political and religious context, as well as specific hagiographic and liturgical sources, of the town’s cathedral. The painting was commissioned by the cathedral’s cantor, Henri ex Palude († 1515), after he had presided over special ceremonies for the opening of shrines and the veneration of relics, which in turn led to the renewed veneration of Bishop Lambert’s nephews, Peter and Audolet, who were both assassinated at the same time as Saint Lambert. An unusual man, Henri ex Palude, both a lawyer involved in peace negotiations between the Hornes and La Marck families and a canon responsible for liturgical ceremonies, was intensely devoted to Saint Lambert. After demonstrating that the painting was not placed in the Cathedral, the author suggests that it was conceived as an altarpiece for the altar in the cantor’s cloister.
author Bruyère, Paul
author_facet Bruyère, Paul
author_sort Bruyère, Paul
title Le Martyre de saint Lambert du « diptyque Palude » et les cérémonies de 1489 à la cathédrale de Liège
title_short Le Martyre de saint Lambert du « diptyque Palude » et les cérémonies de 1489 à la cathédrale de Liège
title_full Le Martyre de saint Lambert du « diptyque Palude » et les cérémonies de 1489 à la cathédrale de Liège
title_fullStr Le Martyre de saint Lambert du « diptyque Palude » et les cérémonies de 1489 à la cathédrale de Liège
title_full_unstemmed Le Martyre de saint Lambert du « diptyque Palude » et les cérémonies de 1489 à la cathédrale de Liège
title_sort le martyre de saint lambert du « diptyque palude » et les cérémonies de 1489 à la cathédrale de liège
publishDate 2012
container_title
container_issue
url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-le-moyen-age-2012-2-page-329?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rma.182.0329
_version_ 1877246729866182656

Ejemplares similares