Guillaume BERGERON, Les combats chevaleresques dans l’œuvre de Chrétien de Troyes, Oxford-Berne-Berlin-Bruxelles-Francfort-New York-Vienne, Lang, 2008 ; 1 vol. in-8o, 256 p. ISBN : 978-3-03911-012-4. Prix : € 41,30.

The romance of crossed narratives : the theft of time in the Suite du Merlin More than any other author of the Lancelot-Graal, the author of the Suite found himself at a crossroads of narratives. The writing of this text reflects a desire to put in the last piece of a puzzle and then discoverin...

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Autor principal: Ferlampin-Acher, Christine
Formato: Article ou chapitre numérique
Idioma:Français
Publicado em: 2010
Acesso em linha:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RMA_153_0613zaRMALe Moyen Âge https://shs.cairn.info/revue-le-moyen-age-2009-3-page-XXVII?lang=fr https://doi.org/10.3917/rma.153.0613za Guillaume BERGERON, Les combats chevaleresques dans l’œuvre de Chrétien de Troyes, Oxford-Berne-Berlin-Bruxelles-Francfort-New York-Vienne, Lang, 2008 ; 1 vol. in-8o, 256 p. ISBN : 978-3-03911-012-4. Prix : € 41,30. Ferlampin-Acher, Christine2010 fre Le Moyen Âge | CXV | 3 | 2010-03-22 | p. XXVII-XXVII | 0027-2841 RMA_153100 The romance of crossed narratives : the theft of time in the Suite du Merlin More than any other author of the Lancelot-Graal, the author of the Suite found himself at a crossroads of narratives. The writing of this text reflects a desire to put in the last piece of a puzzle and then discovering that this indispensable piece did not fit. Indeed, Merlin and Lancelot were drafted without any thought of the assembly that would one day unite them and the first of these texts plans events that the second either ignores or contradicts. Furthermore, there is not enough time between these two works for a connection to exist. Despite this, the author borrows characters from Merlin and the circumstances that put them in conflict with each other from Lancelot. Thus he gains a virtual period of time, a temporal fault in which he can unfold his narrative. But he then develops his work for its own sake and endangers the “continuation” function inherent in the Suite. The flight into the future of the diegesis is suspended in extremis, but not before irredeemable harm has been done to the cycle’s coherence.Cairn free access
language Français
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description The romance of crossed narratives : the theft of time in the Suite du Merlin More than any other author of the Lancelot-Graal, the author of the Suite found himself at a crossroads of narratives. The writing of this text reflects a desire to put in the last piece of a puzzle and then discovering that this indispensable piece did not fit. Indeed, Merlin and Lancelot were drafted without any thought of the assembly that would one day unite them and the first of these texts plans events that the second either ignores or contradicts. Furthermore, there is not enough time between these two works for a connection to exist. Despite this, the author borrows characters from Merlin and the circumstances that put them in conflict with each other from Lancelot. Thus he gains a virtual period of time, a temporal fault in which he can unfold his narrative. But he then develops his work for its own sake and endangers the “continuation” function inherent in the Suite. The flight into the future of the diegesis is suspended in extremis, but not before irredeemable harm has been done to the cycle’s coherence.
author Ferlampin-Acher, Christine
spellingShingle Ferlampin-Acher, Christine
Guillaume BERGERON, Les combats chevaleresques dans l’œuvre de Chrétien de Troyes, Oxford-Berne-Berlin-Bruxelles-Francfort-New York-Vienne, Lang, 2008 ; 1 vol. in-8o, 256 p. ISBN : 978-3-03911-012-4. Prix : € 41,30.
author_facet Ferlampin-Acher, Christine
author_sort Ferlampin-Acher, Christine
title Guillaume BERGERON, Les combats chevaleresques dans l’œuvre de Chrétien de Troyes, Oxford-Berne-Berlin-Bruxelles-Francfort-New York-Vienne, Lang, 2008 ; 1 vol. in-8o, 256 p. ISBN : 978-3-03911-012-4. Prix : € 41,30.
title_short Guillaume BERGERON, Les combats chevaleresques dans l’œuvre de Chrétien de Troyes, Oxford-Berne-Berlin-Bruxelles-Francfort-New York-Vienne, Lang, 2008 ; 1 vol. in-8o, 256 p. ISBN : 978-3-03911-012-4. Prix : € 41,30.
title_full Guillaume BERGERON, Les combats chevaleresques dans l’œuvre de Chrétien de Troyes, Oxford-Berne-Berlin-Bruxelles-Francfort-New York-Vienne, Lang, 2008 ; 1 vol. in-8o, 256 p. ISBN : 978-3-03911-012-4. Prix : € 41,30.
title_fullStr Guillaume BERGERON, Les combats chevaleresques dans l’œuvre de Chrétien de Troyes, Oxford-Berne-Berlin-Bruxelles-Francfort-New York-Vienne, Lang, 2008 ; 1 vol. in-8o, 256 p. ISBN : 978-3-03911-012-4. Prix : € 41,30.
title_full_unstemmed Guillaume BERGERON, Les combats chevaleresques dans l’œuvre de Chrétien de Troyes, Oxford-Berne-Berlin-Bruxelles-Francfort-New York-Vienne, Lang, 2008 ; 1 vol. in-8o, 256 p. ISBN : 978-3-03911-012-4. Prix : € 41,30.
title_sort guillaume bergeron, les combats chevaleresques dans l’œuvre de chrétien de troyes, oxford-berne-berlin-bruxelles-francfort-new york-vienne, lang, 2008 ; 1 vol. in-8o, 256 p. isbn : 978-3-03911-012-4. prix : € 41,30.
publishDate 2010
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