L'iconographie du cœur et de la croix dans le Mortifiement de René d'Anjou et les Douze Dames de Rhétorique de George Chastelain.
The iconography of the heart and the cross in René d’Anjou’s Mortifiement and George Chastelain’s Douze Dames the Rhétorique. A dialogue with Jean Gerson This study considers the relationship between Gerson’s spirituality and certain ideological and iconographic elements (the heart and the crucifi...
محفوظ في:
| المؤلف الرئيسي: | |
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| التنسيق: | Article ou chapitre numérique |
| اللغة: | Français |
| منشور في: |
2008
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| الموضوعات: | |
| الوصول للمادة أونلاين: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| الملخص: | The iconography of the heart and the cross in René d’Anjou’s Mortifiement
and George Chastelain’s Douze Dames the Rhétorique. A dialogue with Jean Gerson
This study considers the relationship between Gerson’s spirituality and certain ideological and iconographic elements (the heart and the crucifixion) of the Mortifiement
de Vaine Plaisance by René d’Anjou (1455) and the Enseignes des Douze Dames de
Rhétorique by George Chastelain (1463), from the perspective of an examination of
some Burgundian manuscripts of the works in question. It sheds light on the place
of Gerson in the literary and aristocratic culture of the 15th Century and attempts to
show the role played by spirituality in the life of the court and in the representations
of authority. |
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