Geld im Mittelalter. Wahrnehmung – Bewertung – Symbolik, sous la dir. de Klaus GRUBMÜLLER et Markus STOCK, Darmstadt, Wissenschaftliche Buchgesellschaft, 2005 ; 1 vol., 246 p. ISBN : 3-534-18453-X. Prix : CHF 98,80 ; € 59,90.

Geld im Mittelalter. Wahrnehmung – Bewertung – Symbolik, sous la dir. de Klaus GRUBMÜLLER et Markus STOCK, Darmstadt, Wissenschaftliche Buchgesellschaft, 2005 ; 1 vol., 246 p. ISBN : 3-534-18453-X. Prix : CHF 98,80 ; € 59,90.

P. STABEL, Guild organisation and artistic production in Bruges at the end of the Middle Ages and the beginning of the Early Modern Period The production of works of art in late medieval cities was characterized by important shifts. Despite the so-called rigidity of guild regulation, Bruges entrepr...

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Main Author: Joris, André
Format: Article ou chapitre numérique
Language:Français
Published: 2007
Online Access:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RMA_131_0157zhRMALe Moyen Âge https://shs.cairn.info/revue-le-moyen-age-2007-1-page-XXXIV?lang=fr https://doi.org/10.3917/rma.131.0157zh Geld im Mittelalter. Wahrnehmung – Bewertung – Symbolik, sous la dir. de Klaus GRUBMÜLLER et Markus STOCK, Darmstadt, Wissenschaftliche Buchgesellschaft, 2005 ; 1 vol., 246 p. ISBN : 3-534-18453-X. Prix : CHF 98,80 ; € 59,90. Joris, André2007 fre Le Moyen Âge | CXIII | 1 | 2007-06-07 | p. XXXIV-XXXIV | 0027-2841 RMA_13188 P. STABEL, Guild organisation and artistic production in Bruges at the end of the Middle Ages and the beginning of the Early Modern Period The production of works of art in late medieval cities was characterized by important shifts. Despite the so-called rigidity of guild regulation, Bruges entrepreneurs were often capable of developing new products and organise their markets in fl exible ways. Artisan’s careers can be explained in this logic of fl exibility and adaptation. Geographic and social mobility and the relative open character of guilds do not exclude in any way patterns of social exclusion and polarisation within the structures of the guild of Saint Luke. Painters and other artisans involved in the production and sale of luxury commodities do not differ that much from those employed in the textile or service industries. Regulation was relatively fl exible and open and aimed a defi ning rules of conduct on matters of social hierarchy, product quality and modes of payment, rather than on contracts of apprenticeship, relations between entrepreneurs and their employees, between masters and their families, between artisans and merchant or between retailers and their customers, which all were defined by individual negotiation, for which the guild provided a forum.Cairn free access
language Français
format Article ou chapitre numérique
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description P. STABEL, Guild organisation and artistic production in Bruges at the end of the Middle Ages and the beginning of the Early Modern Period The production of works of art in late medieval cities was characterized by important shifts. Despite the so-called rigidity of guild regulation, Bruges entrepreneurs were often capable of developing new products and organise their markets in fl exible ways. Artisan’s careers can be explained in this logic of fl exibility and adaptation. Geographic and social mobility and the relative open character of guilds do not exclude in any way patterns of social exclusion and polarisation within the structures of the guild of Saint Luke. Painters and other artisans involved in the production and sale of luxury commodities do not differ that much from those employed in the textile or service industries. Regulation was relatively fl exible and open and aimed a defi ning rules of conduct on matters of social hierarchy, product quality and modes of payment, rather than on contracts of apprenticeship, relations between entrepreneurs and their employees, between masters and their families, between artisans and merchant or between retailers and their customers, which all were defined by individual negotiation, for which the guild provided a forum.
author Joris, André
spellingShingle Joris, André
Geld im Mittelalter. Wahrnehmung – Bewertung – Symbolik, sous la dir. de Klaus GRUBMÜLLER et Markus STOCK, Darmstadt, Wissenschaftliche Buchgesellschaft, 2005 ; 1 vol., 246 p. ISBN : 3-534-18453-X. Prix : CHF 98,80 ; € 59,90.
author_facet Joris, André
author_sort Joris, André
title Geld im Mittelalter. Wahrnehmung – Bewertung – Symbolik, sous la dir. de Klaus GRUBMÜLLER et Markus STOCK, Darmstadt, Wissenschaftliche Buchgesellschaft, 2005 ; 1 vol., 246 p. ISBN : 3-534-18453-X. Prix : CHF 98,80 ; € 59,90.
title_short Geld im Mittelalter. Wahrnehmung – Bewertung – Symbolik, sous la dir. de Klaus GRUBMÜLLER et Markus STOCK, Darmstadt, Wissenschaftliche Buchgesellschaft, 2005 ; 1 vol., 246 p. ISBN : 3-534-18453-X. Prix : CHF 98,80 ; € 59,90.
title_full Geld im Mittelalter. Wahrnehmung – Bewertung – Symbolik, sous la dir. de Klaus GRUBMÜLLER et Markus STOCK, Darmstadt, Wissenschaftliche Buchgesellschaft, 2005 ; 1 vol., 246 p. ISBN : 3-534-18453-X. Prix : CHF 98,80 ; € 59,90.
title_fullStr Geld im Mittelalter. Wahrnehmung – Bewertung – Symbolik, sous la dir. de Klaus GRUBMÜLLER et Markus STOCK, Darmstadt, Wissenschaftliche Buchgesellschaft, 2005 ; 1 vol., 246 p. ISBN : 3-534-18453-X. Prix : CHF 98,80 ; € 59,90.
title_full_unstemmed Geld im Mittelalter. Wahrnehmung – Bewertung – Symbolik, sous la dir. de Klaus GRUBMÜLLER et Markus STOCK, Darmstadt, Wissenschaftliche Buchgesellschaft, 2005 ; 1 vol., 246 p. ISBN : 3-534-18453-X. Prix : CHF 98,80 ; € 59,90.
title_sort geld im mittelalter. wahrnehmung – bewertung – symbolik, sous la dir. de klaus grubmüller et markus stock, darmstadt, wissenschaftliche buchgesellschaft, 2005 ; 1 vol., 246 p. isbn : 3-534-18453-x. prix : chf 98,80 ; € 59,90.
publishDate 2007
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