Fama. The politics of talk and reputation in Medieval Europe, éd. Thelma FENSTER et Daniel Lord SMAIL, Ithaca-Londres, Cornell U.P., 2003 ; 1 vol. in-8°, VII-227 p. ISBN : 0-8014-8857-5 et 0-8014-3939-6. Prix : USD 19,95 (pb) et 49,95 (hb).

Fama. The politics of talk and reputation in Medieval Europe, éd. Thelma FENSTER et Daniel Lord SMAIL, Ithaca-Londres, Cornell U.P., 2003 ; 1 vol. in-8°, VII-227 p. ISBN : 0-8014-8857-5 et 0-8014-3939-6. Prix : USD 19,95 (pb) et 49,95 (hb).

P. STABEL, Guild organisation and artistic production in Bruges at the end of the Middle Ages and the beginning of the Early Modern Period The production of works of art in late medieval cities was characterized by important shifts. Despite the so-called rigidity of guild regulation, Bruges entrepr...

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第一著者: De Craecker-Dussart, Christiane
フォーマット: Article ou chapitre numérique
言語:Français
出版事項: 2007
オンライン･アクセス:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RMA_131_0157zdRMALe Moyen Âge https://shs.cairn.info/revue-le-moyen-age-2007-1-page-XXX?lang=fr https://doi.org/10.3917/rma.131.0157zd Fama. The politics of talk and reputation in Medieval Europe, éd. Thelma FENSTER et Daniel Lord SMAIL, Ithaca-Londres, Cornell U.P., 2003 ; 1 vol. in-8°, VII-227 p. ISBN : 0-8014-8857-5 et 0-8014-3939-6. Prix : USD 19,95 (pb) et 49,95 (hb). De Craecker-Dussart, Christiane2007 fre Le Moyen Âge | CXIII | 1 | 2007-06-07 | p. XXX-XXX | 0027-2841 RMA_13184 P. STABEL, Guild organisation and artistic production in Bruges at the end of the Middle Ages and the beginning of the Early Modern Period The production of works of art in late medieval cities was characterized by important shifts. Despite the so-called rigidity of guild regulation, Bruges entrepreneurs were often capable of developing new products and organise their markets in fl exible ways. Artisan’s careers can be explained in this logic of fl exibility and adaptation. Geographic and social mobility and the relative open character of guilds do not exclude in any way patterns of social exclusion and polarisation within the structures of the guild of Saint Luke. Painters and other artisans involved in the production and sale of luxury commodities do not differ that much from those employed in the textile or service industries. Regulation was relatively fl exible and open and aimed a defi ning rules of conduct on matters of social hierarchy, product quality and modes of payment, rather than on contracts of apprenticeship, relations between entrepreneurs and their employees, between masters and their families, between artisans and merchant or between retailers and their customers, which all were defined by individual negotiation, for which the guild provided a forum.Cairn free access
language Français
format Article ou chapitre numérique
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description P. STABEL, Guild organisation and artistic production in Bruges at the end of the Middle Ages and the beginning of the Early Modern Period The production of works of art in late medieval cities was characterized by important shifts. Despite the so-called rigidity of guild regulation, Bruges entrepreneurs were often capable of developing new products and organise their markets in fl exible ways. Artisan’s careers can be explained in this logic of fl exibility and adaptation. Geographic and social mobility and the relative open character of guilds do not exclude in any way patterns of social exclusion and polarisation within the structures of the guild of Saint Luke. Painters and other artisans involved in the production and sale of luxury commodities do not differ that much from those employed in the textile or service industries. Regulation was relatively fl exible and open and aimed a defi ning rules of conduct on matters of social hierarchy, product quality and modes of payment, rather than on contracts of apprenticeship, relations between entrepreneurs and their employees, between masters and their families, between artisans and merchant or between retailers and their customers, which all were defined by individual negotiation, for which the guild provided a forum.
author De Craecker-Dussart, Christiane
spellingShingle De Craecker-Dussart, Christiane
Fama. The politics of talk and reputation in Medieval Europe, éd. Thelma FENSTER et Daniel Lord SMAIL, Ithaca-Londres, Cornell U.P., 2003 ; 1 vol. in-8°, VII-227 p. ISBN : 0-8014-8857-5 et 0-8014-3939-6. Prix : USD 19,95 (pb) et 49,95 (hb).
author_facet De Craecker-Dussart, Christiane
author_sort De Craecker-Dussart, Christiane
title Fama. The politics of talk and reputation in Medieval Europe, éd. Thelma FENSTER et Daniel Lord SMAIL, Ithaca-Londres, Cornell U.P., 2003 ; 1 vol. in-8°, VII-227 p. ISBN : 0-8014-8857-5 et 0-8014-3939-6. Prix : USD 19,95 (pb) et 49,95 (hb).
title_short Fama. The politics of talk and reputation in Medieval Europe, éd. Thelma FENSTER et Daniel Lord SMAIL, Ithaca-Londres, Cornell U.P., 2003 ; 1 vol. in-8°, VII-227 p. ISBN : 0-8014-8857-5 et 0-8014-3939-6. Prix : USD 19,95 (pb) et 49,95 (hb).
title_full Fama. The politics of talk and reputation in Medieval Europe, éd. Thelma FENSTER et Daniel Lord SMAIL, Ithaca-Londres, Cornell U.P., 2003 ; 1 vol. in-8°, VII-227 p. ISBN : 0-8014-8857-5 et 0-8014-3939-6. Prix : USD 19,95 (pb) et 49,95 (hb).
title_fullStr Fama. The politics of talk and reputation in Medieval Europe, éd. Thelma FENSTER et Daniel Lord SMAIL, Ithaca-Londres, Cornell U.P., 2003 ; 1 vol. in-8°, VII-227 p. ISBN : 0-8014-8857-5 et 0-8014-3939-6. Prix : USD 19,95 (pb) et 49,95 (hb).
title_full_unstemmed Fama. The politics of talk and reputation in Medieval Europe, éd. Thelma FENSTER et Daniel Lord SMAIL, Ithaca-Londres, Cornell U.P., 2003 ; 1 vol. in-8°, VII-227 p. ISBN : 0-8014-8857-5 et 0-8014-3939-6. Prix : USD 19,95 (pb) et 49,95 (hb).
title_sort fama. the politics of talk and reputation in medieval europe, éd. thelma fenster et daniel lord smail, ithaca-londres, cornell u.p., 2003 ; 1 vol. in-8°, vii-227 p. isbn : 0-8014-8857-5 et 0-8014-3939-6. prix : usd 19,95 (pb) et 49,95 (hb).
publishDate 2007
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