Peter DRONKE, Imagination in the Late Pagan and Early Christian World. The First Nine Centuries A.D., Florence, SISMEL-Edizioni del Galluzzo, 2003 ; 1 vol., XI-261 p., ill. (Millennio Medievale, 42, Strumenti e studi, n.s., 4). ISBN : 88-8450-046-X. Prix : € 62,00.

P. STABEL, Guild organisation and artistic production in Bruges at the end of the Middle Ages and the beginning of the Early Modern Period The production of works of art in late medieval cities was characterized by important shifts. Despite the so-called rigidity of guild regulation, Bruges entrepr...

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Autor principal: Goullet, Monique
Formato: Article ou chapitre numérique
Lenguaje:Français
Publicado: 2007
Acceso en línea:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RMA_131_0157zRMALe Moyen Âge https://shs.cairn.info/revue-le-moyen-age-2007-1-page-XXVI?lang=fr https://doi.org/10.3917/rma.131.0157z Peter DRONKE, Imagination in the Late Pagan and Early Christian World. The First Nine Centuries A.D., Florence, SISMEL-Edizioni del Galluzzo, 2003 ; 1 vol., XI-261 p., ill. (Millennio Medievale, 42, Strumenti e studi, n.s., 4). ISBN : 88-8450-046-X. Prix : € 62,00. Goullet, Monique2007 fre Le Moyen Âge | CXIII | 1 | 2007-06-07 | p. XXVI-XXVI | 0027-2841 RMA_13180 P. STABEL, Guild organisation and artistic production in Bruges at the end of the Middle Ages and the beginning of the Early Modern Period The production of works of art in late medieval cities was characterized by important shifts. Despite the so-called rigidity of guild regulation, Bruges entrepreneurs were often capable of developing new products and organise their markets in fl exible ways. Artisan’s careers can be explained in this logic of fl exibility and adaptation. Geographic and social mobility and the relative open character of guilds do not exclude in any way patterns of social exclusion and polarisation within the structures of the guild of Saint Luke. Painters and other artisans involved in the production and sale of luxury commodities do not differ that much from those employed in the textile or service industries. Regulation was relatively fl exible and open and aimed a defi ning rules of conduct on matters of social hierarchy, product quality and modes of payment, rather than on contracts of apprenticeship, relations between entrepreneurs and their employees, between masters and their families, between artisans and merchant or between retailers and their customers, which all were defined by individual negotiation, for which the guild provided a forum.Cairn free access
language Français
format Article ou chapitre numérique
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description P. STABEL, Guild organisation and artistic production in Bruges at the end of the Middle Ages and the beginning of the Early Modern Period The production of works of art in late medieval cities was characterized by important shifts. Despite the so-called rigidity of guild regulation, Bruges entrepreneurs were often capable of developing new products and organise their markets in fl exible ways. Artisan’s careers can be explained in this logic of fl exibility and adaptation. Geographic and social mobility and the relative open character of guilds do not exclude in any way patterns of social exclusion and polarisation within the structures of the guild of Saint Luke. Painters and other artisans involved in the production and sale of luxury commodities do not differ that much from those employed in the textile or service industries. Regulation was relatively fl exible and open and aimed a defi ning rules of conduct on matters of social hierarchy, product quality and modes of payment, rather than on contracts of apprenticeship, relations between entrepreneurs and their employees, between masters and their families, between artisans and merchant or between retailers and their customers, which all were defined by individual negotiation, for which the guild provided a forum.
author Goullet, Monique
spellingShingle Goullet, Monique
Peter DRONKE, Imagination in the Late Pagan and Early Christian World. The First Nine Centuries A.D., Florence, SISMEL-Edizioni del Galluzzo, 2003 ; 1 vol., XI-261 p., ill. (Millennio Medievale, 42, Strumenti e studi, n.s., 4). ISBN : 88-8450-046-X. Prix : € 62,00.
author_facet Goullet, Monique
author_sort Goullet, Monique
title Peter DRONKE, Imagination in the Late Pagan and Early Christian World. The First Nine Centuries A.D., Florence, SISMEL-Edizioni del Galluzzo, 2003 ; 1 vol., XI-261 p., ill. (Millennio Medievale, 42, Strumenti e studi, n.s., 4). ISBN : 88-8450-046-X. Prix : € 62,00.
title_short Peter DRONKE, Imagination in the Late Pagan and Early Christian World. The First Nine Centuries A.D., Florence, SISMEL-Edizioni del Galluzzo, 2003 ; 1 vol., XI-261 p., ill. (Millennio Medievale, 42, Strumenti e studi, n.s., 4). ISBN : 88-8450-046-X. Prix : € 62,00.
title_full Peter DRONKE, Imagination in the Late Pagan and Early Christian World. The First Nine Centuries A.D., Florence, SISMEL-Edizioni del Galluzzo, 2003 ; 1 vol., XI-261 p., ill. (Millennio Medievale, 42, Strumenti e studi, n.s., 4). ISBN : 88-8450-046-X. Prix : € 62,00.
title_fullStr Peter DRONKE, Imagination in the Late Pagan and Early Christian World. The First Nine Centuries A.D., Florence, SISMEL-Edizioni del Galluzzo, 2003 ; 1 vol., XI-261 p., ill. (Millennio Medievale, 42, Strumenti e studi, n.s., 4). ISBN : 88-8450-046-X. Prix : € 62,00.
title_full_unstemmed Peter DRONKE, Imagination in the Late Pagan and Early Christian World. The First Nine Centuries A.D., Florence, SISMEL-Edizioni del Galluzzo, 2003 ; 1 vol., XI-261 p., ill. (Millennio Medievale, 42, Strumenti e studi, n.s., 4). ISBN : 88-8450-046-X. Prix : € 62,00.
title_sort peter dronke, imagination in the late pagan and early christian world. the first nine centuries a.d., florence, sismel-edizioni del galluzzo, 2003 ; 1 vol., xi-261 p., ill. (millennio medievale, 42, strumenti e studi, n.s., 4). isbn : 88-8450-046-x. prix : € 62,00.
publishDate 2007
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