La production de canticis de Jean Gerson : les circonstances de composition et de diffusion
Jean Gerson’s position towards women (1363-1429). The article discusses the question of Jean Gerson’s (1363-1429) attitude toward women. Based on several texts where women appear in various social roles: as spouses, sisters, mothers and nuns, the study aims at forming a more nuanced opinion on t...
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| Format: | Article ou chapitre numérique |
| Langue: | Français |
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2006
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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cairn-RMA_122_0355RMALe Moyen Âge https://shs.cairn.info/revue-le-moyen-age-2006-2-page-355?lang=fr https://doi.org/10.3917/rma.122.0355 La production de canticis de Jean Gerson : les circonstances de composition et de diffusion Roccati, Giovanni Matteo2006 fre Le Moyen Âge | CXII | 2 | 2006-09-01 | p. 355-361 | 0027-2841 RMA_12251 Jean Gerson’s position towards women (1363-1429). The article discusses the question of Jean Gerson’s (1363-1429) attitude toward women. Based on several texts where women appear in various social roles: as spouses, sisters, mothers and nuns, the study aims at forming a more nuanced opinion on this subject. Particular attention will be paid to the analysis of texts where women appear as independent devotees. While recognizing the complex and even contradictory character of Gerson’s position towards women, the article seeks to place it in the general perspective of his “theological vulgarization” project, through which he aims to leading the largest number of the faithful to a life of contemplation. The author argues that Gerson gives women a new important role in this project.Cairn free access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| description |
Jean Gerson’s position towards women (1363-1429).
The article discusses the question of Jean Gerson’s (1363-1429) attitude toward
women. Based on several texts where women appear in various social roles: as
spouses, sisters, mothers and nuns, the study aims at forming a more nuanced
opinion on this subject. Particular attention will be paid to the analysis of texts where
women appear as independent devotees. While recognizing the complex and even
contradictory character of Gerson’s position towards women, the article seeks to
place it in the general perspective of his “theological vulgarization” project, through
which he aims to leading the largest number of the faithful to a life of contemplation.
The author argues that Gerson gives women a new important role in this project. |
| author |
Roccati, Giovanni Matteo |
| spellingShingle |
Roccati, Giovanni Matteo La production de canticis de Jean Gerson : les circonstances de composition et de diffusion |
| author_facet |
Roccati, Giovanni Matteo |
| author_sort |
Roccati, Giovanni Matteo |
| title |
La production de canticis de Jean Gerson : les circonstances de composition et de diffusion |
| title_short |
La production de canticis de Jean Gerson : les circonstances de composition et de diffusion |
| title_full |
La production de canticis de Jean Gerson : les circonstances de composition et de diffusion |
| title_fullStr |
La production de canticis de Jean Gerson : les circonstances de composition et de diffusion |
| title_full_unstemmed |
La production de canticis de Jean Gerson : les circonstances de composition et de diffusion |
| title_sort |
la production de canticis de jean gerson : les circonstances de composition et de diffusion |
| publishDate |
2006 |
| container_title |
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| container_issue |
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| url |
https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-le-moyen-age-2006-2-page-355?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rma.122.0355 |
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