L’Europedes revues (1880-1920). Estampes, photographies, illustrations, Évanghélia STEAD & Hélène VÉDRINE (dir.), Paris, Presses de l’Université Paris-Sorbonne, « Histoire de l’imprimé », 2008, 607 p.
There are striking structural and thematic correspondences between Albert Camus’ short story “La femme adultère” and Richard Ford’s novella, “Abyss”, due to the recourse in both narratives to similar structuring motifs : those of departure from a familiar space (the urban world), the journey into an...
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| Format: | Article ou chapitre numérique |
| Langue: | Français |
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2010
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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cairn-RLC_334_0243i |
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cairn |
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cairn-RLC_334_0243iRLCRevue de littérature comparée https://shs.cairn.info/revue-de-litterature-comparee-2010-2-page-IX?lang=fr https://doi.org/10.3917/rlc.334.0243i L’Europedes revues (1880-1920). Estampes, photographies, illustrations, Évanghélia STEAD & Hélène VÉDRINE (dir.), Paris, Presses de l’Université Paris-Sorbonne, « Histoire de l’imprimé », 2008, 607 p. Liebart, Landry2010 fre Revue de littérature comparée | 334 | 2 | 2010-12-06 | p. IX-IX | 0035-1466 RLC_334100 There are striking structural and thematic correspondences between Albert Camus’ short story “La femme adultère” and Richard Ford’s novella, “Abyss”, due to the recourse in both narratives to similar structuring motifs : those of departure from a familiar space (the urban world), the journey into an unfamiliar and alien space (the desert), and the transformation of self occasioned by the encounter with this desert space. Further, in both stories the transformation of self of the female protagonist is articulated, to differing degrees of emphasis and perspective, as an act of adultery, one that carries with it the immemorial weight of transgression and punishment.Cairn free access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| description |
There are striking structural and thematic correspondences between Albert Camus’ short story “La femme adultère” and Richard Ford’s novella, “Abyss”, due to the recourse in both narratives to similar structuring motifs : those of departure from a familiar space (the urban world), the journey into an unfamiliar and alien space (the desert), and the transformation of self occasioned by the encounter with this desert space. Further, in both stories the transformation of self of the female protagonist is articulated, to differing degrees of emphasis and perspective, as an act of adultery, one that carries with it the immemorial weight of transgression and punishment. |
| author |
Liebart, Landry |
| spellingShingle |
Liebart, Landry L’Europedes revues (1880-1920). Estampes, photographies, illustrations, Évanghélia STEAD & Hélène VÉDRINE (dir.), Paris, Presses de l’Université Paris-Sorbonne, « Histoire de l’imprimé », 2008, 607 p. |
| author_facet |
Liebart, Landry |
| author_sort |
Liebart, Landry |
| title |
L’Europedes revues (1880-1920). Estampes, photographies, illustrations, Évanghélia STEAD & Hélène VÉDRINE (dir.), Paris, Presses de l’Université Paris-Sorbonne, « Histoire de l’imprimé », 2008, 607 p. |
| title_short |
L’Europedes revues (1880-1920). Estampes, photographies, illustrations, Évanghélia STEAD & Hélène VÉDRINE (dir.), Paris, Presses de l’Université Paris-Sorbonne, « Histoire de l’imprimé », 2008, 607 p. |
| title_full |
L’Europedes revues (1880-1920). Estampes, photographies, illustrations, Évanghélia STEAD & Hélène VÉDRINE (dir.), Paris, Presses de l’Université Paris-Sorbonne, « Histoire de l’imprimé », 2008, 607 p. |
| title_fullStr |
L’Europedes revues (1880-1920). Estampes, photographies, illustrations, Évanghélia STEAD & Hélène VÉDRINE (dir.), Paris, Presses de l’Université Paris-Sorbonne, « Histoire de l’imprimé », 2008, 607 p. |
| title_full_unstemmed |
L’Europedes revues (1880-1920). Estampes, photographies, illustrations, Évanghélia STEAD & Hélène VÉDRINE (dir.), Paris, Presses de l’Université Paris-Sorbonne, « Histoire de l’imprimé », 2008, 607 p. |
| title_sort |
l’europedes revues (1880-1920). estampes, photographies, illustrations, évanghélia stead & hélène védrine (dir.), paris, presses de l’université paris-sorbonne, « histoire de l’imprimé », 2008, 607 p. |
| publishDate |
2010 |
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| container_issue |
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| url |
https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-de-litterature-comparee-2010-2-page-IX?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rlc.334.0243i |
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