14. Histoire d’un tableau des internés nomades et juifs du camp de Poitiers
This article presents the history and composition of a painting by Robert Delétang (1874–1951) produced in the internment camp of Poitiers in 1942. The background of the painter, who was close to anti-Semitic movements and the author of numerous works depicting Gitanos (“Gypsies”) in Spain and Franc...
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| Auteurs principaux: | , |
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| Format: | Article ou chapitre numérique |
| Langue: | Français |
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2023
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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cairn-RHSHO_217_0389 |
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cairn |
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cairn-RHSHO_217_0389RHSHORevue d’Histoire de la Shoah https://shs.cairn.info/revue-d-histoire-de-la-shoah-2023-1-page-389?lang=fr https://doi.org/10.3917/rhsho.217.0389 14. Histoire d’un tableau des internés nomades et juifs du camp de Poitiers About, IlsenBanchereau, Olivier2023 fre Revue d’Histoire de la Shoah | 217 | 1 | 2023-03-22 | p. 389-393 | 2111-885X RHSHO_21796 This article presents the history and composition of a painting by Robert Delétang (1874–1951) produced in the internment camp of Poitiers in 1942. The background of the painter, who was close to anti-Semitic movements and the author of numerous works depicting Gitanos (“Gypsies”) in Spain and France, enables us to understand the sources of this work depicting Jews and so-called nomads in a French camp during the Occupation. The unedited testimony of Eugénie Duville (1926–2021), interned in Poitiers, provides a unique oral source from which to reconstruct the conditions under which the painter worked in the camp and used models chosen from among the camp’s inmates.Cairn restricted access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| description |
This article presents the history and composition of a painting by Robert Delétang (1874–1951) produced in the internment camp of Poitiers in 1942. The background of the painter, who was close to anti-Semitic movements and the author of numerous works depicting Gitanos (“Gypsies”) in Spain and France, enables us to understand the sources of this work depicting Jews and so-called nomads in a French camp during the Occupation. The unedited testimony of Eugénie Duville (1926–2021), interned in Poitiers, provides a unique oral source from which to reconstruct the conditions under which the painter worked in the camp and used models chosen from among the camp’s inmates. |
| author |
About, Ilsen Banchereau, Olivier |
| spellingShingle |
About, Ilsen Banchereau, Olivier 14. Histoire d’un tableau des internés nomades et juifs du camp de Poitiers |
| author_facet |
About, Ilsen Banchereau, Olivier |
| author_sort |
About, Ilsen |
| title |
14. Histoire d’un tableau des internés nomades et juifs du camp de Poitiers |
| title_short |
14. Histoire d’un tableau des internés nomades et juifs du camp de Poitiers |
| title_full |
14. Histoire d’un tableau des internés nomades et juifs du camp de Poitiers |
| title_fullStr |
14. Histoire d’un tableau des internés nomades et juifs du camp de Poitiers |
| title_full_unstemmed |
14. Histoire d’un tableau des internés nomades et juifs du camp de Poitiers |
| title_sort |
14. histoire d’un tableau des internés nomades et juifs du camp de poitiers |
| publishDate |
2023 |
| container_title |
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| container_issue |
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| url |
https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-d-histoire-de-la-shoah-2023-1-page-389?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rhsho.217.0389 |
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