13. Jouer pour le public : commémorations et mémoires manouches du génocide

Scholarship about French Manouches often emphasizes prohibitions on speaking about past traumas and the dead, but there are exceptions to this silence. This article explores instances in which Manouche musicians are publicly vocal about death and trauma in prior generations. Their outspokenness is p...

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Auteurs principaux: Lie, Siv B., Darmon, Claire
Format: Article ou chapitre numérique
Langue:Français
Publié: 2023
Accès en ligne:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RHSHO_217_0367RHSHORevue d’Histoire de la Shoah https://shs.cairn.info/revue-d-histoire-de-la-shoah-2023-1-page-367?lang=fr https://doi.org/10.3917/rhsho.217.0367 13. Jouer pour le public : commémorations et mémoires manouches du génocide Lie, Siv B.Darmon, Claire2023 fre Revue d’Histoire de la Shoah | 217 | 1 | 2023-03-22 | p. 367-388 | 2111-885X RHSHO_21795 Scholarship about French Manouches often emphasizes prohibitions on speaking about past traumas and the dead, but there are exceptions to this silence. This article explores instances in which Manouche musicians are publicly vocal about death and trauma in prior generations. Their outspokenness is particularly evident in recent public-facing musical works that commemorate the Nazi genocide of Roma people. The producers of these works self-consciously endeavor to make themselves legible within contemporary frameworks of Holocaust commemoration. These efforts should be taken as evidence of multiple and ambivalent attitudes toward death and trauma that exist among Manouche individuals and communities. In breaking the silence, the work of these artists signals generational shifts in attitudes about how to pay respect to the dead. Close attention to cultural productions such as music offers a nuanced understanding of Manouche memory practices and may thus contribute to struggles against a long legacy of anti-Roma racism in France.Cairn restricted access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
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description Scholarship about French Manouches often emphasizes prohibitions on speaking about past traumas and the dead, but there are exceptions to this silence. This article explores instances in which Manouche musicians are publicly vocal about death and trauma in prior generations. Their outspokenness is particularly evident in recent public-facing musical works that commemorate the Nazi genocide of Roma people. The producers of these works self-consciously endeavor to make themselves legible within contemporary frameworks of Holocaust commemoration. These efforts should be taken as evidence of multiple and ambivalent attitudes toward death and trauma that exist among Manouche individuals and communities. In breaking the silence, the work of these artists signals generational shifts in attitudes about how to pay respect to the dead. Close attention to cultural productions such as music offers a nuanced understanding of Manouche memory practices and may thus contribute to struggles against a long legacy of anti-Roma racism in France.
author Lie, Siv B.
Darmon, Claire
spellingShingle Lie, Siv B.
Darmon, Claire
13. Jouer pour le public : commémorations et mémoires manouches du génocide
author_facet Lie, Siv B.
Darmon, Claire
author_sort Lie, Siv B.
title 13. Jouer pour le public : commémorations et mémoires manouches du génocide
title_short 13. Jouer pour le public : commémorations et mémoires manouches du génocide
title_full 13. Jouer pour le public : commémorations et mémoires manouches du génocide
title_fullStr 13. Jouer pour le public : commémorations et mémoires manouches du génocide
title_full_unstemmed 13. Jouer pour le public : commémorations et mémoires manouches du génocide
title_sort 13. jouer pour le public : commémorations et mémoires manouches du génocide
publishDate 2023
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url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-d-histoire-de-la-shoah-2023-1-page-367?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rhsho.217.0367
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