9. Images d’une persécution à l’œuvre
Throughout the period of the occupation, photographs were taken in French internment camps for nomads. This photographic production seems to fall into two main categories: on the one hand, an official production on the part of the French authorities of Vichy, controlled by the Germans, to which is a...
Enregistré dans:
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| Format: | Article ou chapitre numérique |
| Langue: | Français |
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2023
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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cairn-RHSHO_217_0237 |
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cairn-RHSHO_217_0237RHSHORevue d’Histoire de la Shoah https://shs.cairn.info/revue-d-histoire-de-la-shoah-2023-1-page-237?lang=fr https://doi.org/10.3917/rhsho.217.0237 9. Images d’une persécution à l’œuvre Banchereau, Olivier2023 fre Revue d’Histoire de la Shoah | 217 | 1 | 2023-03-22 | p. 237-260 | 2111-885X RHSHO_21791 Throughout the period of the occupation, photographs were taken in French internment camps for nomads. This photographic production seems to fall into two main categories: on the one hand, an official production on the part of the French authorities of Vichy, controlled by the Germans, to which is added a press production subject to censorship; on the other hand, an institutional and amateur production, realized outside of any official framework. Based on the analysis of a corpus of about a hundred photographs, this article aims to answer important questions: what photographic representation of the internment of nomads appears through each of the existing corpus? What knowledge, through images, of the persecution of so-called nomads was accessible to witnesses, and therefore what knowledge did French society of the time have of it?Cairn restricted access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| description |
Throughout the period of the occupation, photographs were taken in French internment camps for nomads. This photographic production seems to fall into two main categories: on the one hand, an official production on the part of the French authorities of Vichy, controlled by the Germans, to which is added a press production subject to censorship; on the other hand, an institutional and amateur production, realized outside of any official framework. Based on the analysis of a corpus of about a hundred photographs, this article aims to answer important questions: what photographic representation of the internment of nomads appears through each of the existing corpus? What knowledge, through images, of the persecution of so-called nomads was accessible to witnesses, and therefore what knowledge did French society of the time have of it? |
| author |
Banchereau, Olivier |
| spellingShingle |
Banchereau, Olivier 9. Images d’une persécution à l’œuvre |
| author_facet |
Banchereau, Olivier |
| author_sort |
Banchereau, Olivier |
| title |
9. Images d’une persécution à l’œuvre |
| title_short |
9. Images d’une persécution à l’œuvre |
| title_full |
9. Images d’une persécution à l’œuvre |
| title_fullStr |
9. Images d’une persécution à l’œuvre |
| title_full_unstemmed |
9. Images d’une persécution à l’œuvre |
| title_sort |
9. images d’une persécution à l’œuvre |
| publishDate |
2023 |
| container_title |
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| container_issue |
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| url |
https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-d-histoire-de-la-shoah-2023-1-page-237?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rhsho.217.0237 |
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