II.4/ Traces de pratiques musicales dans quelques bibliothèques spoliées par les nazis

II.4/ Traces de pratiques musicales dans quelques bibliothèques spoliées par les nazis

This submission is based on the author’s extensive work on the libraries that were looted by Nazi forces in France during World War II. After the Liberation, France created a Commission for Art Recovery, which included a Sub-Commission for Books. This task force was in charge of finding and returnin...

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Hlavní autor: Poulain, Martine
Médium: Article ou chapitre numérique
Jazyk:Français
Vydáno: 2021
On-line přístup:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RHSHO_213_0175RHSHORevue d’Histoire de la Shoah https://shs.cairn.info/revue-d-histoire-de-la-shoah-2021-1-page-175?lang=fr https://doi.org/10.3917/rhsho.213.0175 II.4/ Traces de pratiques musicales dans quelques bibliothèques spoliées par les nazis Poulain, Martine2021 fre Revue d’Histoire de la Shoah | 213 | 1 | 2021-02-05 | p. 175-190 | 2111-885X RHSHO_21320 This submission is based on the author’s extensive work on the libraries that were looted by Nazi forces in France during World War II. After the Liberation, France created a Commission for Art Recovery, which included a Sub-Commission for Books. This task force was in charge of finding and returning libraries and works of art to their rightful owners. Victims of looting were required to submit a dossier to the sub-commission describing the damage done to their library, the circumstances and parties involved in the looting, and a list of the stolen documents that was as precise as possible. These lists include evidence of a substantial interest in music and musicianship. Books on music, music history, and key figures in the music industry underscore this interest, while the presence of a significant amount of sheet music point to a practice that extends far beyond the upper classes. While the library of Vladimir Jankélévitch, which was entirely dedicated to his two main interests, philosophy and music, is iconic, it is obviously not the only case. These documents, which were taken from looted victims who were involved in music on a professional level, such as composers, players, and teachers, were also found in many other homes whose owners did not pursue these careers.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
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description This submission is based on the author’s extensive work on the libraries that were looted by Nazi forces in France during World War II. After the Liberation, France created a Commission for Art Recovery, which included a Sub-Commission for Books. This task force was in charge of finding and returning libraries and works of art to their rightful owners. Victims of looting were required to submit a dossier to the sub-commission describing the damage done to their library, the circumstances and parties involved in the looting, and a list of the stolen documents that was as precise as possible. These lists include evidence of a substantial interest in music and musicianship. Books on music, music history, and key figures in the music industry underscore this interest, while the presence of a significant amount of sheet music point to a practice that extends far beyond the upper classes. While the library of Vladimir Jankélévitch, which was entirely dedicated to his two main interests, philosophy and music, is iconic, it is obviously not the only case. These documents, which were taken from looted victims who were involved in music on a professional level, such as composers, players, and teachers, were also found in many other homes whose owners did not pursue these careers.
author Poulain, Martine
spellingShingle Poulain, Martine
II.4/ Traces de pratiques musicales dans quelques bibliothèques spoliées par les nazis
author_facet Poulain, Martine
author_sort Poulain, Martine
title II.4/ Traces de pratiques musicales dans quelques bibliothèques spoliées par les nazis
title_short II.4/ Traces de pratiques musicales dans quelques bibliothèques spoliées par les nazis
title_full II.4/ Traces de pratiques musicales dans quelques bibliothèques spoliées par les nazis
title_fullStr II.4/ Traces de pratiques musicales dans quelques bibliothèques spoliées par les nazis
title_full_unstemmed II.4/ Traces de pratiques musicales dans quelques bibliothèques spoliées par les nazis
title_sort ii.4/ traces de pratiques musicales dans quelques bibliothèques spoliées par les nazis
publishDate 2021
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url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-d-histoire-de-la-shoah-2021-1-page-175?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rhsho.213.0175
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