La spoliation des instruments de musique dans la Shoah : introduction

This article seeks to provide insight into the reach and meaning of the work of the Sonderkommando 1005, a unit that was tasked with covering up the evidence of mass murder in Eastern Europe between the fall of 1942 and September 1944. The operation, which was initiated by Paul Blobel, sought to de...

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Auteurs principaux: Andrieu, Claire, Dreyfus, Jean-Marc
Format: Article ou chapitre numérique
Langue:Français
Publié: 2021
Accès en ligne:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RHSHO_213_0121RHSHORevue d’Histoire de la Shoah https://shs.cairn.info/revue-d-histoire-de-la-shoah-2021-1-page-121?lang=fr https://doi.org/10.3917/rhsho.213.0121 La spoliation des instruments de musique dans la Shoah : introduction Andrieu, ClaireDreyfus, Jean-Marc2021 fre Revue d’Histoire de la Shoah | 213 | 1 | 2021-02-05 | p. 121-125 | 2111-885X RHSHO_21316 This article seeks to provide insight into the reach and meaning of the work of the Sonderkommando 1005, a unit that was tasked with covering up the evidence of mass murder in Eastern Europe between the fall of 1942 and September 1944. The operation, which was initiated by Paul Blobel, sought to destroy the bodies of victims killed in concentration camps and the “Holocaust by Bullets.”The author details the steps of the operation, both within the chain of command and among decision-making bodies, and discusses a few local specificities as well as the operation’s wide-ranging scope. Nevertheless, there are very few sources on the subject. This Aktion remains a poorly understood facet of Holocaust history, which contributes to the veil of secrecy the Nazis wanted to draw over the massacres and the operation itself.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
description This article seeks to provide insight into the reach and meaning of the work of the Sonderkommando 1005, a unit that was tasked with covering up the evidence of mass murder in Eastern Europe between the fall of 1942 and September 1944. The operation, which was initiated by Paul Blobel, sought to destroy the bodies of victims killed in concentration camps and the “Holocaust by Bullets.”The author details the steps of the operation, both within the chain of command and among decision-making bodies, and discusses a few local specificities as well as the operation’s wide-ranging scope. Nevertheless, there are very few sources on the subject. This Aktion remains a poorly understood facet of Holocaust history, which contributes to the veil of secrecy the Nazis wanted to draw over the massacres and the operation itself.
author Andrieu, Claire
Dreyfus, Jean-Marc
spellingShingle Andrieu, Claire
Dreyfus, Jean-Marc
La spoliation des instruments de musique dans la Shoah : introduction
author_facet Andrieu, Claire
Dreyfus, Jean-Marc
author_sort Andrieu, Claire
title La spoliation des instruments de musique dans la Shoah : introduction
title_short La spoliation des instruments de musique dans la Shoah : introduction
title_full La spoliation des instruments de musique dans la Shoah : introduction
title_fullStr La spoliation des instruments de musique dans la Shoah : introduction
title_full_unstemmed La spoliation des instruments de musique dans la Shoah : introduction
title_sort la spoliation des instruments de musique dans la shoah : introduction
publishDate 2021
container_title
container_issue
url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-d-histoire-de-la-shoah-2021-1-page-121?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rhsho.213.0121
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