II.5. Adorno ou la métaphysique de la Catastrophe

This article seeks to show how Adorno, one of the first people to conceive the “tear of Auschwitz,” discovered a break in the history of humanity. In order to conceive the Shoah, the metaphysicist suggested that we readjust our concepts and invert our thinking in order to attempt to access the “poss...

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Hovedforfatter: Tirvaudey, Robert
Format: Article ou chapitre numérique
Sprog:Français
Udgivet: 2017
Online adgang:Accès Université d'Orléans et IFPM
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spelling cairn-RHSHO_207_0217RHSHORevue d’Histoire de la Shoah https://shs.cairn.info/revue-d-histoire-de-la-shoah-2017-2-page-217?lang=fr https://doi.org/10.3917/rhsho.207.0217 II.5. Adorno ou la métaphysique de la Catastrophe Tirvaudey, Robert2017 fre Revue d’Histoire de la Shoah | 207 | 2 | 2017-10-01 | p. 217-232 | 2111-885X RHSHO_20755 This article seeks to show how Adorno, one of the first people to conceive the “tear of Auschwitz,” discovered a break in the history of humanity. In order to conceive the Shoah, the metaphysicist suggested that we readjust our concepts and invert our thinking in order to attempt to access the “possible impossibility.” By going back over his thoughts, which reconstructed the intellectual, social, political and cultural context in which the Event arose, we can see how Adorno stood in opposition to Hannah Arendt. We can also see how he brought forth a new hypothesis for understanding the failure of ethics, culture, reason and metaphysics, using a poetic language capable of expressing that which can neither be imagined nor thought nor conceptualized. Is it not the vocation of art to tackle a past that won’t fade into the past but that is never past being relevant? Adorno’s thesis contrasts with those of his contemporaries insofar as he argues that the “calamity” was the result of a three-fold domination : the domination of man over nature, the domination of the technical over human nature and the domination of certain people over others.Cairn free access
language Français
format Article ou chapitre numérique
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description This article seeks to show how Adorno, one of the first people to conceive the “tear of Auschwitz,” discovered a break in the history of humanity. In order to conceive the Shoah, the metaphysicist suggested that we readjust our concepts and invert our thinking in order to attempt to access the “possible impossibility.” By going back over his thoughts, which reconstructed the intellectual, social, political and cultural context in which the Event arose, we can see how Adorno stood in opposition to Hannah Arendt. We can also see how he brought forth a new hypothesis for understanding the failure of ethics, culture, reason and metaphysics, using a poetic language capable of expressing that which can neither be imagined nor thought nor conceptualized. Is it not the vocation of art to tackle a past that won’t fade into the past but that is never past being relevant? Adorno’s thesis contrasts with those of his contemporaries insofar as he argues that the “calamity” was the result of a three-fold domination : the domination of man over nature, the domination of the technical over human nature and the domination of certain people over others.
author Tirvaudey, Robert
spellingShingle Tirvaudey, Robert
II.5. Adorno ou la métaphysique de la Catastrophe
author_facet Tirvaudey, Robert
author_sort Tirvaudey, Robert
title II.5. Adorno ou la métaphysique de la Catastrophe
title_short II.5. Adorno ou la métaphysique de la Catastrophe
title_full II.5. Adorno ou la métaphysique de la Catastrophe
title_fullStr II.5. Adorno ou la métaphysique de la Catastrophe
title_full_unstemmed II.5. Adorno ou la métaphysique de la Catastrophe
title_sort ii.5. adorno ou la métaphysique de la catastrophe
publishDate 2017
container_title
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url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-d-histoire-de-la-shoah-2017-2-page-217?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rhsho.207.0217
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