11. Le cinéma italien et la Shoah : un regard sur les quinze dernières années (2001-2015)
Italian cinema and the Holocaust: looking back at the last 15 years (2001-2015)My article analyzes the Italian films and TV fiction about the Holocaust from the last 15 years. By defining the current storytelling topics, models and formats, I will attempt to demonstrate how representations of the Ho...
Salvato in:
| Autori principali: | , |
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| Natura: | Article ou chapitre numérique |
| Lingua: | Français |
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2017
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| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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cairn-RHSHO_206_0243 |
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cairn |
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cairn-RHSHO_206_0243RHSHORevue d’Histoire de la Shoah https://shs.cairn.info/revue-d-histoire-de-la-shoah-2017-1-page-243?lang=fr https://doi.org/10.3917/rhsho.206.0243 11. Le cinéma italien et la Shoah : un regard sur les quinze dernières années (2001-2015) Minuz, AndreaDi Genio, Lanfranco2017 fre Revue d’Histoire de la Shoah | 206 | 1 | 2017-08-01 | p. 243-256 | 2111-885X RHSHO_20630 Italian cinema and the Holocaust: looking back at the last 15 years (2001-2015)My article analyzes the Italian films and TV fiction about the Holocaust from the last 15 years. By defining the current storytelling topics, models and formats, I will attempt to demonstrate how representations of the Holocaust in visual culture have undergone a radical transformation since the introduction of Italy’s Remembrance Day in 2000. That serves as the basis for comparing works such as Concorrenza sleale (2001, Ettore Scola), Perlasca (2002, Alberto Negrin), La finestra di fronte (2003, Ferzan Özpetek), Il peccato e la vergogna (2010, Luigi Parisi and Alessio Inturri) and This must be the place (2011, Paolo Sorrentino) with a number of characteristic aspects of Italian cinema on the Holocaust that defined the preceding period.Cairn free access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| description |
Italian cinema and the Holocaust: looking back at the last 15 years (2001-2015)My article analyzes the Italian films and TV fiction about the Holocaust from the last 15 years. By defining the current storytelling topics, models and formats, I will attempt to demonstrate how representations of the Holocaust in visual culture have undergone a radical transformation since the introduction of Italy’s Remembrance Day in 2000. That serves as the basis for comparing works such as Concorrenza sleale (2001, Ettore Scola), Perlasca (2002, Alberto Negrin), La finestra di fronte (2003, Ferzan Özpetek), Il peccato e la vergogna (2010, Luigi Parisi and Alessio Inturri) and This must be the place (2011, Paolo Sorrentino) with a number of characteristic aspects of Italian cinema on the Holocaust that defined the preceding period. |
| author |
Minuz, Andrea Di Genio, Lanfranco |
| spellingShingle |
Minuz, Andrea Di Genio, Lanfranco 11. Le cinéma italien et la Shoah : un regard sur les quinze dernières années (2001-2015) |
| author_facet |
Minuz, Andrea Di Genio, Lanfranco |
| author_sort |
Minuz, Andrea |
| title |
11. Le cinéma italien et la Shoah : un regard sur les quinze dernières années (2001-2015) |
| title_short |
11. Le cinéma italien et la Shoah : un regard sur les quinze dernières années (2001-2015) |
| title_full |
11. Le cinéma italien et la Shoah : un regard sur les quinze dernières années (2001-2015) |
| title_fullStr |
11. Le cinéma italien et la Shoah : un regard sur les quinze dernières années (2001-2015) |
| title_full_unstemmed |
11. Le cinéma italien et la Shoah : un regard sur les quinze dernières années (2001-2015) |
| title_sort |
11. le cinéma italien et la shoah : un regard sur les quinze dernières années (2001-2015) |
| publishDate |
2017 |
| container_title |
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| container_issue |
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| url |
https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-d-histoire-de-la-shoah-2017-1-page-243?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rhsho.206.0243 |
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