Martine Gozlanb, Hannah Szenes. L’Étoile foudroyée, Paris, L’Archipel, 223 pages, 18,95 euros

This article explores the various ways and reasons to study the relationship between Ilse Aichinger’s poetry and the metaphorical caesura of the killing centers, which sought to destroy the Jewish people in Europe. Everyone knows that any reflections on the possibility of writing poetry after Auschw...

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מחבר ראשי: Bensoussan, Georges
פורמט: Article ou chapitre numérique
שפה:Français
יצא לאור: 2015
גישה מקוונת:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RHSHO_202_0603aRHSHORevue d’Histoire de la Shoah https://shs.cairn.info/revue-d-histoire-de-la-shoah-2015-1-page-603a?lang=fr https://doi.org/10.3917/rhsho.202.0603a Martine Gozlanb, Hannah Szenes. L’Étoile foudroyée, Paris, L’Archipel, 223 pages, 18,95 euros Bensoussan, Georges2015 fre Revue d’Histoire de la Shoah | 202 | 1 | 2015-03-11 | p. 603a-605a | 2111-885X RHSHO_20239 This article explores the various ways and reasons to study the relationship between Ilse Aichinger’s poetry and the metaphorical caesura of the killing centers, which sought to destroy the Jewish people in Europe. Everyone knows that any reflections on the possibility of writing poetry after Auschwitz are necessarily bound together with Adorno’s famous quote in Prismen : Kulturkritik und Gesellschaft. Ilse Aichinger’s work feeds this debate. Many of her poems begin with a call for the fall from grace. However, her poetry quickly shifts focus to an inability to speak and the fear of never again opening “my mouth because of the threat and the impression that the end has come.” Aichinger demonstrates that it is possible to create poetry that is born of and fed by this man-made catastrophe.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
description This article explores the various ways and reasons to study the relationship between Ilse Aichinger’s poetry and the metaphorical caesura of the killing centers, which sought to destroy the Jewish people in Europe. Everyone knows that any reflections on the possibility of writing poetry after Auschwitz are necessarily bound together with Adorno’s famous quote in Prismen : Kulturkritik und Gesellschaft. Ilse Aichinger’s work feeds this debate. Many of her poems begin with a call for the fall from grace. However, her poetry quickly shifts focus to an inability to speak and the fear of never again opening “my mouth because of the threat and the impression that the end has come.” Aichinger demonstrates that it is possible to create poetry that is born of and fed by this man-made catastrophe.
author Bensoussan, Georges
spellingShingle Bensoussan, Georges
Martine Gozlanb, Hannah Szenes. L’Étoile foudroyée, Paris, L’Archipel, 223 pages, 18,95 euros
author_facet Bensoussan, Georges
author_sort Bensoussan, Georges
title Martine Gozlanb, Hannah Szenes. L’Étoile foudroyée, Paris, L’Archipel, 223 pages, 18,95 euros
title_short Martine Gozlanb, Hannah Szenes. L’Étoile foudroyée, Paris, L’Archipel, 223 pages, 18,95 euros
title_full Martine Gozlanb, Hannah Szenes. L’Étoile foudroyée, Paris, L’Archipel, 223 pages, 18,95 euros
title_fullStr Martine Gozlanb, Hannah Szenes. L’Étoile foudroyée, Paris, L’Archipel, 223 pages, 18,95 euros
title_full_unstemmed Martine Gozlanb, Hannah Szenes. L’Étoile foudroyée, Paris, L’Archipel, 223 pages, 18,95 euros
title_sort martine gozlanb, hannah szenes. l’étoile foudroyée, paris, l’archipel, 223 pages, 18,95 euros
publishDate 2015
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url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-d-histoire-de-la-shoah-2015-1-page-603a?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rhsho.202.0603a
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