Peter TRAWNY, Heidegger und der Mythos der jüdischen Weltverschwörung, Francfort-sur-le-Main, Verlag Vittorio Klostermann, 2014, 106 pages, 15,80 euros

This article explores the various ways and reasons to study the relationship between Ilse Aichinger’s poetry and the metaphorical caesura of the killing centers, which sought to destroy the Jewish people in Europe. Everyone knows that any reflections on the possibility of writing poetry after Auschw...

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Auteur principal: Kellerer, Sidonie
Format: Article ou chapitre numérique
Langue:Français
Publié: 2014
Accès en ligne:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RHSHO_201_0595bRHSHORevue d’Histoire de la Shoah https://shs.cairn.info/revue-d-histoire-de-la-shoah-2014-2-page-595b?lang=fr https://doi.org/10.3917/rhsho.201.0595b Peter TRAWNY, Heidegger und der Mythos der jüdischen Weltverschwörung, Francfort-sur-le-Main, Verlag Vittorio Klostermann, 2014, 106 pages, 15,80 euros Kellerer, Sidonie2014 fre Revue d’Histoire de la Shoah | 201 | 2 | 2014-10-22 | p. 595b-613b | 2111-885X RHSHO_20132 This article explores the various ways and reasons to study the relationship between Ilse Aichinger’s poetry and the metaphorical caesura of the killing centers, which sought to destroy the Jewish people in Europe. Everyone knows that any reflections on the possibility of writing poetry after Auschwitz are necessarily bound together with Adorno’s famous quote in Prismen : Kulturkritik und Gesellschaft. Ilse Aichinger’s work feeds this debate. Many of her poems begin with a call for the fall from grace. However, her poetry quickly shifts focus to an inability to speak and the fear of never again opening “my mouth because of the threat and the impression that the end has come.” Aichinger demonstrates that it is possible to create poetry that is born of and fed by this man-made catastrophe.Cairn free access
language Français
format Article ou chapitre numérique
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description This article explores the various ways and reasons to study the relationship between Ilse Aichinger’s poetry and the metaphorical caesura of the killing centers, which sought to destroy the Jewish people in Europe. Everyone knows that any reflections on the possibility of writing poetry after Auschwitz are necessarily bound together with Adorno’s famous quote in Prismen : Kulturkritik und Gesellschaft. Ilse Aichinger’s work feeds this debate. Many of her poems begin with a call for the fall from grace. However, her poetry quickly shifts focus to an inability to speak and the fear of never again opening “my mouth because of the threat and the impression that the end has come.” Aichinger demonstrates that it is possible to create poetry that is born of and fed by this man-made catastrophe.
author Kellerer, Sidonie
spellingShingle Kellerer, Sidonie
Peter TRAWNY, Heidegger und der Mythos der jüdischen Weltverschwörung, Francfort-sur-le-Main, Verlag Vittorio Klostermann, 2014, 106 pages, 15,80 euros
author_facet Kellerer, Sidonie
author_sort Kellerer, Sidonie
title Peter TRAWNY, Heidegger und der Mythos der jüdischen Weltverschwörung, Francfort-sur-le-Main, Verlag Vittorio Klostermann, 2014, 106 pages, 15,80 euros
title_short Peter TRAWNY, Heidegger und der Mythos der jüdischen Weltverschwörung, Francfort-sur-le-Main, Verlag Vittorio Klostermann, 2014, 106 pages, 15,80 euros
title_full Peter TRAWNY, Heidegger und der Mythos der jüdischen Weltverschwörung, Francfort-sur-le-Main, Verlag Vittorio Klostermann, 2014, 106 pages, 15,80 euros
title_fullStr Peter TRAWNY, Heidegger und der Mythos der jüdischen Weltverschwörung, Francfort-sur-le-Main, Verlag Vittorio Klostermann, 2014, 106 pages, 15,80 euros
title_full_unstemmed Peter TRAWNY, Heidegger und der Mythos der jüdischen Weltverschwörung, Francfort-sur-le-Main, Verlag Vittorio Klostermann, 2014, 106 pages, 15,80 euros
title_sort peter trawny, heidegger und der mythos der jüdischen weltverschwörung, francfort-sur-le-main, verlag vittorio klostermann, 2014, 106 pages, 15,80 euros
publishDate 2014
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