Emmanuel FAYE (dir.), Heidegger, le sol, la communauté, la race, Paris, Beauchesne, collection « Le grenier à sel », 2014, 380 pages, 36 euros

This article explores the various ways and reasons to study the relationship between Ilse Aichinger’s poetry and the metaphorical caesura of the killing centers, which sought to destroy the Jewish people in Europe. Everyone knows that any reflections on the possibility of writing poetry after Auschw...

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Auteur principal: Fuchs, Édith
Format: Article ou chapitre numérique
Langue:Français
Publié: 2014
Accès en ligne:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RHSHO_201_0595aRHSHORevue d’Histoire de la Shoah https://shs.cairn.info/revue-d-histoire-de-la-shoah-2014-2-page-595a?lang=fr https://doi.org/10.3917/rhsho.201.0595a Emmanuel FAYE (dir.), Heidegger, le sol, la communauté, la race, Paris, Beauchesne, collection « Le grenier à sel », 2014, 380 pages, 36 euros Fuchs, Édith2014 fre Revue d’Histoire de la Shoah | 201 | 2 | 2014-10-22 | p. 595a-611a | 2111-885X RHSHO_20131 This article explores the various ways and reasons to study the relationship between Ilse Aichinger’s poetry and the metaphorical caesura of the killing centers, which sought to destroy the Jewish people in Europe. Everyone knows that any reflections on the possibility of writing poetry after Auschwitz are necessarily bound together with Adorno’s famous quote in Prismen : Kulturkritik und Gesellschaft. Ilse Aichinger’s work feeds this debate. Many of her poems begin with a call for the fall from grace. However, her poetry quickly shifts focus to an inability to speak and the fear of never again opening “my mouth because of the threat and the impression that the end has come.” Aichinger demonstrates that it is possible to create poetry that is born of and fed by this man-made catastrophe.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
description This article explores the various ways and reasons to study the relationship between Ilse Aichinger’s poetry and the metaphorical caesura of the killing centers, which sought to destroy the Jewish people in Europe. Everyone knows that any reflections on the possibility of writing poetry after Auschwitz are necessarily bound together with Adorno’s famous quote in Prismen : Kulturkritik und Gesellschaft. Ilse Aichinger’s work feeds this debate. Many of her poems begin with a call for the fall from grace. However, her poetry quickly shifts focus to an inability to speak and the fear of never again opening “my mouth because of the threat and the impression that the end has come.” Aichinger demonstrates that it is possible to create poetry that is born of and fed by this man-made catastrophe.
author Fuchs, Édith
spellingShingle Fuchs, Édith
Emmanuel FAYE (dir.), Heidegger, le sol, la communauté, la race, Paris, Beauchesne, collection « Le grenier à sel », 2014, 380 pages, 36 euros
author_facet Fuchs, Édith
author_sort Fuchs, Édith
title Emmanuel FAYE (dir.), Heidegger, le sol, la communauté, la race, Paris, Beauchesne, collection « Le grenier à sel », 2014, 380 pages, 36 euros
title_short Emmanuel FAYE (dir.), Heidegger, le sol, la communauté, la race, Paris, Beauchesne, collection « Le grenier à sel », 2014, 380 pages, 36 euros
title_full Emmanuel FAYE (dir.), Heidegger, le sol, la communauté, la race, Paris, Beauchesne, collection « Le grenier à sel », 2014, 380 pages, 36 euros
title_fullStr Emmanuel FAYE (dir.), Heidegger, le sol, la communauté, la race, Paris, Beauchesne, collection « Le grenier à sel », 2014, 380 pages, 36 euros
title_full_unstemmed Emmanuel FAYE (dir.), Heidegger, le sol, la communauté, la race, Paris, Beauchesne, collection « Le grenier à sel », 2014, 380 pages, 36 euros
title_sort emmanuel faye (dir.), heidegger, le sol, la communauté, la race, paris, beauchesne, collection « le grenier à sel », 2014, 380 pages, 36 euros
publishDate 2014
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