« Par Dieu, pas un suicide : ç’aurait vraiment été trop simple. » Günter Grass et la Shoah

The Nazi period’s influence on Günter Grass is evident throughout his work, from the The Tin Drum, the first major novel about Nazi Germany, to his controversial poem denouncing Germany’s sale of a submarine to Israel. It is also evident throughout his life, from his support of the former resistanc...

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Auteur principal: Mannoni, Olivier
Format: Article ou chapitre numérique
Langue:Français
Publié: 2014
Accès en ligne:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RHSHO_201_0489RHSHORevue d’Histoire de la Shoah https://shs.cairn.info/revue-d-histoire-de-la-shoah-2014-2-page-489?lang=fr https://doi.org/10.3917/rhsho.201.0489 « Par Dieu, pas un suicide : ç’aurait vraiment été trop simple. » Günter Grass et la Shoah Mannoni, Olivier2014 fre Revue d’Histoire de la Shoah | 201 | 2 | 2014-10-22 | p. 489-498 | 2111-885X RHSHO_20123 The Nazi period’s influence on Günter Grass is evident throughout his work, from the The Tin Drum, the first major novel about Nazi Germany, to his controversial poem denouncing Germany’s sale of a submarine to Israel. It is also evident throughout his life, from his support of the former resistance fighter Willy Brandt to his activism in favor of the Roma. The Holocaust is likely one of the main driving forces in his work. However, the role that it has played in Grass’ work and his own perspective on it have changed over the course of his career. Whereas the Danzig Trilogy and novels like Too Far Afield have led some to accuse Grass of being anti-German, his most recent books, such as Crabwalk, take a more nuanced view of history. How is one to reconcile these different versions of the author, from the SPD activist to the former Waffen-SS soldier? Olivier Mannoni attempts to answer these questions in this article.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
description The Nazi period’s influence on Günter Grass is evident throughout his work, from the The Tin Drum, the first major novel about Nazi Germany, to his controversial poem denouncing Germany’s sale of a submarine to Israel. It is also evident throughout his life, from his support of the former resistance fighter Willy Brandt to his activism in favor of the Roma. The Holocaust is likely one of the main driving forces in his work. However, the role that it has played in Grass’ work and his own perspective on it have changed over the course of his career. Whereas the Danzig Trilogy and novels like Too Far Afield have led some to accuse Grass of being anti-German, his most recent books, such as Crabwalk, take a more nuanced view of history. How is one to reconcile these different versions of the author, from the SPD activist to the former Waffen-SS soldier? Olivier Mannoni attempts to answer these questions in this article.
author Mannoni, Olivier
spellingShingle Mannoni, Olivier
« Par Dieu, pas un suicide : ç’aurait vraiment été trop simple. » Günter Grass et la Shoah
author_facet Mannoni, Olivier
author_sort Mannoni, Olivier
title « Par Dieu, pas un suicide : ç’aurait vraiment été trop simple. » Günter Grass et la Shoah
title_short « Par Dieu, pas un suicide : ç’aurait vraiment été trop simple. » Günter Grass et la Shoah
title_full « Par Dieu, pas un suicide : ç’aurait vraiment été trop simple. » Günter Grass et la Shoah
title_fullStr « Par Dieu, pas un suicide : ç’aurait vraiment été trop simple. » Günter Grass et la Shoah
title_full_unstemmed « Par Dieu, pas un suicide : ç’aurait vraiment été trop simple. » Günter Grass et la Shoah
title_sort « par dieu, pas un suicide : ç’aurait vraiment été trop simple. » günter grass et la shoah
publishDate 2014
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url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-d-histoire-de-la-shoah-2014-2-page-489?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rhsho.201.0489
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