Le traitement de la Shoah dans la pièce de Thomas Bernhard, Place des héros
This article looks at Thomas Bernhard’s play, Heldenplatz, which he wrote in 1988, on the anniversary of the Third Reich’s 1938 annexation of Austria into Nazi Germany. The play, which explores Jewish history through the lens of a Jewish family in Vienna, provoked a heated debate. The scandal cause...
محفوظ في:
| المؤلفون الرئيسيون: | , |
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| التنسيق: | Article ou chapitre numérique |
| اللغة: | Français |
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2014
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| الوصول للمادة أونلاين: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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cairn-RHSHO_201_0479 |
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cairn |
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cairn-RHSHO_201_0479RHSHORevue d’Histoire de la Shoah https://shs.cairn.info/revue-d-histoire-de-la-shoah-2014-2-page-479?lang=fr https://doi.org/10.3917/rhsho.201.0479 Le traitement de la Shoah dans la pièce de Thomas Bernhard, Place des héros Huber, MartinMannoni, Olivier2014 fre Revue d’Histoire de la Shoah | 201 | 2 | 2014-10-22 | p. 479-488 | 2111-885X RHSHO_20122 This article looks at Thomas Bernhard’s play, Heldenplatz, which he wrote in 1988, on the anniversary of the Third Reich’s 1938 annexation of Austria into Nazi Germany. The play, which explores Jewish history through the lens of a Jewish family in Vienna, provoked a heated debate. The scandal caused by the play can be seen as a Kulturkampf over the meaning of the fifty-year period in Austrian history leading up to 1988. Heldenplatz is not directly about the Holocaust. However, Bernhard uses the play to address Austria’s attitude toward its Nazi past and its post-war guilt.Cairn free access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| description |
This article looks at Thomas Bernhard’s play, Heldenplatz, which he wrote in 1988, on the anniversary of the Third Reich’s 1938 annexation of Austria into Nazi Germany. The play, which explores Jewish history through the lens of a Jewish family in Vienna, provoked a heated debate. The scandal caused by the play can be seen as a Kulturkampf over the meaning of the fifty-year period in Austrian history leading up to 1988. Heldenplatz is not directly about the Holocaust. However, Bernhard uses the play to address Austria’s attitude toward its Nazi past and its post-war guilt. |
| author |
Huber, Martin Mannoni, Olivier |
| spellingShingle |
Huber, Martin Mannoni, Olivier Le traitement de la Shoah dans la pièce de Thomas Bernhard, Place des héros |
| author_facet |
Huber, Martin Mannoni, Olivier |
| author_sort |
Huber, Martin |
| title |
Le traitement de la Shoah dans la pièce de Thomas Bernhard, Place des héros |
| title_short |
Le traitement de la Shoah dans la pièce de Thomas Bernhard, Place des héros |
| title_full |
Le traitement de la Shoah dans la pièce de Thomas Bernhard, Place des héros |
| title_fullStr |
Le traitement de la Shoah dans la pièce de Thomas Bernhard, Place des héros |
| title_full_unstemmed |
Le traitement de la Shoah dans la pièce de Thomas Bernhard, Place des héros |
| title_sort |
le traitement de la shoah dans la pièce de thomas bernhard, place des héros |
| publishDate |
2014 |
| container_title |
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| container_issue |
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| url |
https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-d-histoire-de-la-shoah-2014-2-page-479?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rhsho.201.0479 |
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