La poésie et le choc
Writing poetry about the Holocaust is a delicate exercise. For most readers, the topic is practically unbearable. Many of them even feel that the Holocaust eludes all attempts to write poetry about it. For those readers, Auschwitz is the very symbol of that which cannot be depicted, especially not b...
में बचाया:
| मुख्य लेखकों: | , |
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| स्वरूप: | Article ou chapitre numérique |
| भाषा: | Français |
| प्रकाशित: |
2014
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| ऑनलाइन पहुंच: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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cairn-RHSHO_201_0393 |
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cairn |
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cairn-RHSHO_201_0393RHSHORevue d’Histoire de la Shoah https://shs.cairn.info/revue-d-histoire-de-la-shoah-2014-2-page-393?lang=fr https://doi.org/10.3917/rhsho.201.0393 La poésie et le choc Lamping, DieterMannoni, Olivier2014 fre Revue d’Histoire de la Shoah | 201 | 2 | 2014-10-22 | p. 393-402 | 2111-885X RHSHO_20118 Writing poetry about the Holocaust is a delicate exercise. For most readers, the topic is practically unbearable. Many of them even feel that the Holocaust eludes all attempts to write poetry about it. For those readers, Auschwitz is the very symbol of that which cannot be depicted, especially not by belles-lettres literature. In fact, it is this aestheticized, simplistic notion of literature as a belles-lettres discipline full of beautiful feelings and in short, the pursuit of good, moral aspirations, that casts doubt upon poetry’s ability to deal with the Holocaust. These doubts have also been influenced by the moral reservations expressed by Theodor Adorno in 1951, which he later retracted.Cairn free access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| description |
Writing poetry about the Holocaust is a delicate exercise. For most readers, the topic is practically unbearable. Many of them even feel that the Holocaust eludes all attempts to write poetry about it. For those readers, Auschwitz is the very symbol of that which cannot be depicted, especially not by belles-lettres literature. In fact, it is this aestheticized, simplistic notion of literature as a belles-lettres discipline full of beautiful feelings and in short, the pursuit of good, moral aspirations, that casts doubt upon poetry’s ability to deal with the Holocaust. These doubts have also been influenced by the moral reservations expressed by Theodor Adorno in 1951, which he later retracted. |
| author |
Lamping, Dieter Mannoni, Olivier |
| spellingShingle |
Lamping, Dieter Mannoni, Olivier La poésie et le choc |
| author_facet |
Lamping, Dieter Mannoni, Olivier |
| author_sort |
Lamping, Dieter |
| title |
La poésie et le choc |
| title_short |
La poésie et le choc |
| title_full |
La poésie et le choc |
| title_fullStr |
La poésie et le choc |
| title_full_unstemmed |
La poésie et le choc |
| title_sort |
la poésie et le choc |
| publishDate |
2014 |
| container_title |
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| container_issue |
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| url |
https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-d-histoire-de-la-shoah-2014-2-page-393?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rhsho.201.0393 |
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