La littérature du Groupe de Vienne et la rupture civilisationnelle
Post-war German literature, like post-war Austrian literature, was marked by a collective silence on the topic of the genocide. With a few exceptions, this silence has since been broken. In Austria, for example, the so-called Vienna Group created a wide variety of works that bear witness to a break...
保存先:
| 主要な著者: | , |
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| フォーマット: | Article ou chapitre numérique |
| 言語: | Français |
| 出版事項: |
2014
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| オンライン･アクセス: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| 要約: | Post-war German literature, like post-war Austrian literature, was marked by a collective silence on the topic of the genocide. With a few exceptions, this silence has since been broken. In Austria, for example, the so-called Vienna Group created a wide variety of works that bear witness to a break with civilization. Many of them feature catastrophes and crimes, thereby illustrating the argument made by the writer, Detlev Claussen, that for him, “Auschwitz has influenced everything that came after.” These works, in particular the writing of Konrad Bayer and Gerhard Rühm discussed in this article, constantly go back and forth between the absence and presence of this fundamental break with civilization. |
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