Un tandem de pouvoir dans Paris occupé

A powerful tandem in occupied ParisAfter a consideration of the dangers with which an analysis of cultural anti-Semitism is fraught (manicheaism, moral exhibitionism), an effort is made to sketch the structure of one of the most charged sites of cultural interaction in occupied Paris, the salon of F...

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التفاصيل البيبلوغرافية
المؤلف الرئيسي: Mehlman, Jeffrey
التنسيق: Article ou chapitre numérique
اللغة:Français
منشور في: 2013
الوصول للمادة أونلاين:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RHSHO_198_0273RHSHORevue d’Histoire de la Shoah https://shs.cairn.info/revue-d-histoire-de-la-shoah-2013-1-page-273?lang=fr https://doi.org/10.3917/rhsho.198.0273 Un tandem de pouvoir dans Paris occupé Mehlman, Jeffrey2013 fre Revue d’Histoire de la Shoah | 198 | 1 | 2013-12-12 | p. 273-284 | 2111-885X RHSHO_19847 A powerful tandem in occupied ParisAfter a consideration of the dangers with which an analysis of cultural anti-Semitism is fraught (manicheaism, moral exhibitionism), an effort is made to sketch the structure of one of the most charged sites of cultural interaction in occupied Paris, the salon of Florence Gould on Avenue Malakoff. Specifically, four figures and the quartet they together formed are examined: Florence Gould, Ernst Jünger, Gerhard Heller, and Marcel Jouhandeau. The structure is quite tight: Jünger was the lover of Gould during much of the war (whence the title of the essay); Heller, Sonderführer in charge of censorship in France, was a disciple and something of an aide-de-camp of Jünger during the same period; Jouhandeau was cohost of Gould’s salon and would-be lover of Heller. The entire configuration expands the argument of an earlier speculative text by the author, “Writing and Deference: The Politics of Literary Adulation,” in which the roots of what has flourished under the misnomer of “literary theory” in the United States are traced back to the period of the Occupation in France.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
description A powerful tandem in occupied ParisAfter a consideration of the dangers with which an analysis of cultural anti-Semitism is fraught (manicheaism, moral exhibitionism), an effort is made to sketch the structure of one of the most charged sites of cultural interaction in occupied Paris, the salon of Florence Gould on Avenue Malakoff. Specifically, four figures and the quartet they together formed are examined: Florence Gould, Ernst Jünger, Gerhard Heller, and Marcel Jouhandeau. The structure is quite tight: Jünger was the lover of Gould during much of the war (whence the title of the essay); Heller, Sonderführer in charge of censorship in France, was a disciple and something of an aide-de-camp of Jünger during the same period; Jouhandeau was cohost of Gould’s salon and would-be lover of Heller. The entire configuration expands the argument of an earlier speculative text by the author, “Writing and Deference: The Politics of Literary Adulation,” in which the roots of what has flourished under the misnomer of “literary theory” in the United States are traced back to the period of the Occupation in France.
author Mehlman, Jeffrey
spellingShingle Mehlman, Jeffrey
Un tandem de pouvoir dans Paris occupé
author_facet Mehlman, Jeffrey
author_sort Mehlman, Jeffrey
title Un tandem de pouvoir dans Paris occupé
title_short Un tandem de pouvoir dans Paris occupé
title_full Un tandem de pouvoir dans Paris occupé
title_fullStr Un tandem de pouvoir dans Paris occupé
title_full_unstemmed Un tandem de pouvoir dans Paris occupé
title_sort un tandem de pouvoir dans paris occupé
publishDate 2013
container_title
container_issue
url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-d-histoire-de-la-shoah-2013-1-page-273?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rhsho.198.0273
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