« Israël est un pays de guerre civile, mais le consensus est le plus fort... »

Gacaca, the versatility of imagesBetween 2002 and 2009, Anne Aghion has devoted herself to four films in post-genocide Rwanda, through the prism of gacaca - the proximity of courts enrolling in the politics of “reconciliation” conducted by the Rwandan government. Conveying a sense of forgiveness,...

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Auteurs principaux: Lanzmann, Claude, Bou, Stéphane
Format: Article ou chapitre numérique
Langue:Français
Publié: 2011
Accès en ligne:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RHSHO_195_0309RHSHORevue d’Histoire de la Shoah https://shs.cairn.info/revue-d-histoire-de-la-shoah-2011-2-page-309?lang=fr https://doi.org/10.3917/rhsho.195.0309 « Israël est un pays de guerre civile, mais le consensus est le plus fort... » Lanzmann, ClaudeBou, Stéphane2011 fre Revue d’Histoire de la Shoah | 195 | 2 | 2011-12-12 | p. 309-315 | 2111-885X RHSHO_19571 Gacaca, the versatility of imagesBetween 2002 and 2009, Anne Aghion has devoted herself to four films in post-genocide Rwanda, through the prism of gacaca - the proximity of courts enrolling in the politics of “reconciliation” conducted by the Rwandan government. Conveying a sense of forgiveness, the gacaca also partake in a confessional strategy whereby the accused are offered remission if they agree to confess their crimes. But beyond the originality of these open courts, where the assistants reconstruct in great detail the atrocities they experienced or witnessed, the fundamental question of coexistence between survivors and perpetrators is raised, beyond the trial. Anne Aghion’s films crystallize these issues, questioning the role of the camera in the process of social reconstruction. At the heart of this dynamic, the “actors” of the trial - accused or victims - initiate a common reflection on the possibilities of forgiveness in a society where the past continues to contaminate the present.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
description Gacaca, the versatility of imagesBetween 2002 and 2009, Anne Aghion has devoted herself to four films in post-genocide Rwanda, through the prism of gacaca - the proximity of courts enrolling in the politics of “reconciliation” conducted by the Rwandan government. Conveying a sense of forgiveness, the gacaca also partake in a confessional strategy whereby the accused are offered remission if they agree to confess their crimes. But beyond the originality of these open courts, where the assistants reconstruct in great detail the atrocities they experienced or witnessed, the fundamental question of coexistence between survivors and perpetrators is raised, beyond the trial. Anne Aghion’s films crystallize these issues, questioning the role of the camera in the process of social reconstruction. At the heart of this dynamic, the “actors” of the trial - accused or victims - initiate a common reflection on the possibilities of forgiveness in a society where the past continues to contaminate the present.
author Lanzmann, Claude
Bou, Stéphane
spellingShingle Lanzmann, Claude
Bou, Stéphane
« Israël est un pays de guerre civile, mais le consensus est le plus fort... »
author_facet Lanzmann, Claude
Bou, Stéphane
author_sort Lanzmann, Claude
title « Israël est un pays de guerre civile, mais le consensus est le plus fort... »
title_short « Israël est un pays de guerre civile, mais le consensus est le plus fort... »
title_full « Israël est un pays de guerre civile, mais le consensus est le plus fort... »
title_fullStr « Israël est un pays de guerre civile, mais le consensus est le plus fort... »
title_full_unstemmed « Israël est un pays de guerre civile, mais le consensus est le plus fort... »
title_sort « israël est un pays de guerre civile, mais le consensus est le plus fort... »
publishDate 2011
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url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-d-histoire-de-la-shoah-2011-2-page-309?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rhsho.195.0309
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