Le double jeu du cinéma : filmer Terezin et Westerbork

Le double jeu du cinéma : filmer Terezin et Westerbork

The duplicity of cinema: filming in Westerbork and TheresienstadtBetween March and September of 1944, two films were made in the transit camps, Westerbork in the Netherlands, and Theresienstadt in Czechoslovakia. Both camps were hubs for deported convoys who were sent to killing centers in Poland. T...

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Autor principal: Lindeperg, Sylvie
Format: Article ou chapitre numérique
Idioma:Français
Publicat: 2011
Accés en línia:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RHSHO_195_0019RHSHORevue d’Histoire de la Shoah https://shs.cairn.info/revue-d-histoire-de-la-shoah-2011-2-page-19?lang=fr https://doi.org/10.3917/rhsho.195.0019 Le double jeu du cinéma : filmer Terezin et Westerbork Lindeperg, Sylvie2011 fre Revue d’Histoire de la Shoah | 195 | 2 | 2011-12-12 | p. 19-38 | 2111-885X RHSHO_19560 The duplicity of cinema: filming in Westerbork and TheresienstadtBetween March and September of 1944, two films were made in the transit camps, Westerbork in the Netherlands, and Theresienstadt in Czechoslovakia. Both camps were hubs for deported convoys who were sent to killing centers in Poland. These images were sometimes approached, and due to the circumstances of the filming, there was an apparent similarity between scenes devoted to the work and recreation of the detainees and the identity of the directors, Kurt Gerron and Rudolf Breslauer, whom the German Jewish Nazis ordered to direct the movies.The first major difference, however is that the set of Westerbork takes a blind perspective towards the Terezin Film on the deportation to the East, portraying the departure of a convoy bound for Auschwitz. This sign of radical differences in the Nazi sponsored issues can be found both in the scattered traces of the making of these films as well as in the manner in which the movies were filmed. The article therefore proposes to portray the Dutch and Czech footage from a perspective on the genesis of the two films as well as from a comparative analysis of their images.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
description The duplicity of cinema: filming in Westerbork and TheresienstadtBetween March and September of 1944, two films were made in the transit camps, Westerbork in the Netherlands, and Theresienstadt in Czechoslovakia. Both camps were hubs for deported convoys who were sent to killing centers in Poland. These images were sometimes approached, and due to the circumstances of the filming, there was an apparent similarity between scenes devoted to the work and recreation of the detainees and the identity of the directors, Kurt Gerron and Rudolf Breslauer, whom the German Jewish Nazis ordered to direct the movies.The first major difference, however is that the set of Westerbork takes a blind perspective towards the Terezin Film on the deportation to the East, portraying the departure of a convoy bound for Auschwitz. This sign of radical differences in the Nazi sponsored issues can be found both in the scattered traces of the making of these films as well as in the manner in which the movies were filmed. The article therefore proposes to portray the Dutch and Czech footage from a perspective on the genesis of the two films as well as from a comparative analysis of their images.
author Lindeperg, Sylvie
spellingShingle Lindeperg, Sylvie
Le double jeu du cinéma : filmer Terezin et Westerbork
author_facet Lindeperg, Sylvie
author_sort Lindeperg, Sylvie
title Le double jeu du cinéma : filmer Terezin et Westerbork
title_short Le double jeu du cinéma : filmer Terezin et Westerbork
title_full Le double jeu du cinéma : filmer Terezin et Westerbork
title_fullStr Le double jeu du cinéma : filmer Terezin et Westerbork
title_full_unstemmed Le double jeu du cinéma : filmer Terezin et Westerbork
title_sort le double jeu du cinéma : filmer terezin et westerbork
publishDate 2011
container_title
container_issue
url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-d-histoire-de-la-shoah-2011-2-page-19?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rhsho.195.0019
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