Le génocide juif au risque de la bande dessinée
The Jewish genocide in comics: teaching and passing on the Holocaust differentlyComic books are currently enjoying an unprecedented boom. In 2009, for example, 4,863 graphic novels were published in French-speaking European countries alone. Many of these explored historical themes, thus introducing...
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| Formato: | Article ou chapitre numérique |
| Idioma: | Français |
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2010
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| Acceso en liña: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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cairn-RHSHO_193_0235 |
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cairn |
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cairn-RHSHO_193_0235RHSHORevue d’Histoire de la Shoah https://shs.cairn.info/revue-d-histoire-de-la-shoah-2010-2-page-235?lang=fr https://doi.org/10.3917/rhsho.193.0235 Le génocide juif au risque de la bande dessinée Delorme, Isabelle2010 fre Revue d’Histoire de la Shoah | 193 | 2 | 2010-07-01 | p. 235-261 | 2111-885X RHSHO_19396 The Jewish genocide in comics: teaching and passing on the Holocaust differentlyComic books are currently enjoying an unprecedented boom. In 2009, for example, 4,863 graphic novels were published in French-speaking European countries alone. Many of these explored historical themes, thus introducing a creative element into the traditional presentation of contemporary history. As a result, the connection between graphic novels and history has become a subject of intensified academic research. Since the publication of Art Spiegelman’s Maus, the Jewish genocide has become a topic for high-quality graphic novels such as : Mendel’s Daughter by Martin Lemelman, Yossel, April 19, 1943 by Joe Kubert and Miriam Katin’s We Are on Our Own. Teaching the Holocaust via graphic novels is a new and refreshing way of dealing with the ever-growing interest in the subject, especially in high schools.Cairn free access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| description |
The Jewish genocide in comics: teaching and passing on the Holocaust differentlyComic books are currently enjoying an unprecedented boom. In 2009, for example, 4,863 graphic novels were published in French-speaking European countries alone. Many of these explored historical themes, thus introducing a creative element into the traditional presentation of contemporary history. As a result, the connection between graphic novels and history has become a subject of intensified academic research. Since the publication of Art Spiegelman’s Maus, the Jewish genocide has become a topic for high-quality graphic novels such as : Mendel’s Daughter by Martin Lemelman, Yossel, April 19, 1943 by Joe Kubert and Miriam Katin’s We Are on Our Own. Teaching the Holocaust via graphic novels is a new and refreshing way of dealing with the ever-growing interest in the subject, especially in high schools. |
| author |
Delorme, Isabelle |
| spellingShingle |
Delorme, Isabelle Le génocide juif au risque de la bande dessinée |
| author_facet |
Delorme, Isabelle |
| author_sort |
Delorme, Isabelle |
| title |
Le génocide juif au risque de la bande dessinée |
| title_short |
Le génocide juif au risque de la bande dessinée |
| title_full |
Le génocide juif au risque de la bande dessinée |
| title_fullStr |
Le génocide juif au risque de la bande dessinée |
| title_full_unstemmed |
Le génocide juif au risque de la bande dessinée |
| title_sort |
le génocide juif au risque de la bande dessinée |
| publishDate |
2010 |
| container_title |
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| container_issue |
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| url |
https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-d-histoire-de-la-shoah-2010-2-page-235?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rhsho.193.0235 |
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