Daniel Blatman, Les Marches de la mort. La dernière étape du génocide nazi. Été 1944-printemps 1945, Paris, Fayard, 2009, 590 pages, 29,90 euros

In his last comic, In the Shadow of No Towers, dedicated to September 11., Art Spiegelman represents himself in front of his drawing board : his intention is to say that he cannot write. This illustration recalls another older one, which stands in Maus. One sees the author, sitting in front of his...

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Xehetasun bibliografikoak
Egile nagusia: Ternon, Yves
Formatua: Article ou chapitre numérique
Hizkuntza:Français
Argitaratua: 2009
Sarrera elektronikoa:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
id cairn-RHSHO_191_0371a
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spelling cairn-RHSHO_191_0371aRHSHORevue d’Histoire de la Shoah https://shs.cairn.info/revue-d-histoire-de-la-shoah-2009-2-page-371a?lang=fr https://doi.org/10.3917/rhsho.191.0371a Daniel Blatman, Les Marches de la mort. La dernière étape du génocide nazi. Été 1944-printemps 1945, Paris, Fayard, 2009, 590 pages, 29,90 euros Ternon, Yves2009 fre Revue d’Histoire de la Shoah | 191 | 2 | 2009-10-14 | p. 371a-378a | 2111-885X RHSHO_19145 In his last comic, In the Shadow of No Towers, dedicated to September 11., Art Spiegelman represents himself in front of his drawing board : his intention is to say that he cannot write. This illustration recalls another older one, which stands in Maus. One sees the author, sitting in front of his drawing board assaulted by corpses, in a decor which evokes the concentration camps. The author-cartoonist expresses his doubts, his anguish, the difficulty he encounters to write and to draw.This article states the hypothesis that the autobiographic choice of Spiegelman, his incapacity to write and his stylistic instability have a common origin, an identic cause : an identity crisis, that one can say it is not unrelated to the Holocaust.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
description In his last comic, In the Shadow of No Towers, dedicated to September 11., Art Spiegelman represents himself in front of his drawing board : his intention is to say that he cannot write. This illustration recalls another older one, which stands in Maus. One sees the author, sitting in front of his drawing board assaulted by corpses, in a decor which evokes the concentration camps. The author-cartoonist expresses his doubts, his anguish, the difficulty he encounters to write and to draw.This article states the hypothesis that the autobiographic choice of Spiegelman, his incapacity to write and his stylistic instability have a common origin, an identic cause : an identity crisis, that one can say it is not unrelated to the Holocaust.
author Ternon, Yves
spellingShingle Ternon, Yves
Daniel Blatman, Les Marches de la mort. La dernière étape du génocide nazi. Été 1944-printemps 1945, Paris, Fayard, 2009, 590 pages, 29,90 euros
author_facet Ternon, Yves
author_sort Ternon, Yves
title Daniel Blatman, Les Marches de la mort. La dernière étape du génocide nazi. Été 1944-printemps 1945, Paris, Fayard, 2009, 590 pages, 29,90 euros
title_short Daniel Blatman, Les Marches de la mort. La dernière étape du génocide nazi. Été 1944-printemps 1945, Paris, Fayard, 2009, 590 pages, 29,90 euros
title_full Daniel Blatman, Les Marches de la mort. La dernière étape du génocide nazi. Été 1944-printemps 1945, Paris, Fayard, 2009, 590 pages, 29,90 euros
title_fullStr Daniel Blatman, Les Marches de la mort. La dernière étape du génocide nazi. Été 1944-printemps 1945, Paris, Fayard, 2009, 590 pages, 29,90 euros
title_full_unstemmed Daniel Blatman, Les Marches de la mort. La dernière étape du génocide nazi. Été 1944-printemps 1945, Paris, Fayard, 2009, 590 pages, 29,90 euros
title_sort daniel blatman, les marches de la mort. la dernière étape du génocide nazi. été 1944-printemps 1945, paris, fayard, 2009, 590 pages, 29,90 euros
publishDate 2009
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