Avec des « papiers aryens »

Avec des « papiers aryens »

In his last comic, In the Shadow of No Towers, dedicated to September 11., Art Spiegelman represents himself in front of his drawing board : his intention is to say that he cannot write. This illustration recalls another older one, which stands in Maus. One sees the author, sitting in front of his...

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Opis bibliograficzny
Główni autorzy: Holzstein-Baumann, Sabina, Pfeiffer, Maurice
Format: Article ou chapitre numérique
Język:Français
Wydane: 2009
Dostęp online:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
id cairn-RHSHO_191_0347
record_format cairn
spelling cairn-RHSHO_191_0347RHSHORevue d’Histoire de la Shoah https://shs.cairn.info/revue-d-histoire-de-la-shoah-2009-2-page-347?lang=fr https://doi.org/10.3917/rhsho.191.0347 Avec des « papiers aryens » Holzstein-Baumann, SabinaPfeiffer, Maurice2009 fre Revue d’Histoire de la Shoah | 191 | 2 | 2009-10-14 | p. 347-370 | 2111-885X RHSHO_19144 In his last comic, In the Shadow of No Towers, dedicated to September 11., Art Spiegelman represents himself in front of his drawing board : his intention is to say that he cannot write. This illustration recalls another older one, which stands in Maus. One sees the author, sitting in front of his drawing board assaulted by corpses, in a decor which evokes the concentration camps. The author-cartoonist expresses his doubts, his anguish, the difficulty he encounters to write and to draw.This article states the hypothesis that the autobiographic choice of Spiegelman, his incapacity to write and his stylistic instability have a common origin, an identic cause : an identity crisis, that one can say it is not unrelated to the Holocaust.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
description In his last comic, In the Shadow of No Towers, dedicated to September 11., Art Spiegelman represents himself in front of his drawing board : his intention is to say that he cannot write. This illustration recalls another older one, which stands in Maus. One sees the author, sitting in front of his drawing board assaulted by corpses, in a decor which evokes the concentration camps. The author-cartoonist expresses his doubts, his anguish, the difficulty he encounters to write and to draw.This article states the hypothesis that the autobiographic choice of Spiegelman, his incapacity to write and his stylistic instability have a common origin, an identic cause : an identity crisis, that one can say it is not unrelated to the Holocaust.
author Holzstein-Baumann, Sabina
Pfeiffer, Maurice
spellingShingle Holzstein-Baumann, Sabina
Pfeiffer, Maurice
Avec des « papiers aryens »
author_facet Holzstein-Baumann, Sabina
Pfeiffer, Maurice
author_sort Holzstein-Baumann, Sabina
title Avec des « papiers aryens »
title_short Avec des « papiers aryens »
title_full Avec des « papiers aryens »
title_fullStr Avec des « papiers aryens »
title_full_unstemmed Avec des « papiers aryens »
title_sort avec des « papiers aryens »
publishDate 2009
container_title
container_issue
url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-d-histoire-de-la-shoah-2009-2-page-347?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rhsho.191.0347
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