Filmer les témoins du génocide des Tutsi. L’éthique en guise d’esthétique

Filmer les témoins du génocide des Tutsi. L’éthique en guise d’esthétique

Filming witnesses of the Tutsi genocide. Ethics by way of aestheticsThe filming of “Rwanda, a Cry of Deafening Silence” was focused on the issue of ethics which then determined the aesthetic profile of the film. The position of the author behind the camera protected her, but how could she make sure...

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Auteur principal: Lainé, Anne
Format: Article ou chapitre numérique
Langue:Français
Publié: 2009
Accès en ligne:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RHSHO_190_0383RHSHORevue d’Histoire de la Shoah https://shs.cairn.info/revue-d-histoire-de-la-shoah-2009-1-page-383?lang=fr https://doi.org/10.3917/rhsho.190.0383 Filmer les témoins du génocide des Tutsi. L’éthique en guise d’esthétique Lainé, Anne2009 fre Revue d’Histoire de la Shoah | 190 | 1 | 2009-02-03 | p. 383-395 | 2111-885X RHSHO_19018 Filming witnesses of the Tutsi genocide. Ethics by way of aestheticsThe filming of “Rwanda, a Cry of Deafening Silence” was focused on the issue of ethics which then determined the aesthetic profile of the film. The position of the author behind the camera protected her, but how could she make sure that the “Other” —the victim and witness of the genocide— was not endangered by exposing him/herself to the content, both visual and spoken, of the film.Meeting this requirement meant creating an ethical framework for the development of the film including initial interviews, choice of place, filming, translation, editing, etc. These different stages of film-making meant reversing the destructive processes of genocide. Anne Lainé very much wanted to show a different picture of these people, to reflect the integrity of their existence, which was taken away from them.How can one consider and show the Other ? What kind of attitude do we arouse in the audience : identification or reflection ? All of these aesthetic considerations that feed on cinematographic language and history are essential for the coherent, ethical frame of the film.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
description Filming witnesses of the Tutsi genocide. Ethics by way of aestheticsThe filming of “Rwanda, a Cry of Deafening Silence” was focused on the issue of ethics which then determined the aesthetic profile of the film. The position of the author behind the camera protected her, but how could she make sure that the “Other” —the victim and witness of the genocide— was not endangered by exposing him/herself to the content, both visual and spoken, of the film.Meeting this requirement meant creating an ethical framework for the development of the film including initial interviews, choice of place, filming, translation, editing, etc. These different stages of film-making meant reversing the destructive processes of genocide. Anne Lainé very much wanted to show a different picture of these people, to reflect the integrity of their existence, which was taken away from them.How can one consider and show the Other ? What kind of attitude do we arouse in the audience : identification or reflection ? All of these aesthetic considerations that feed on cinematographic language and history are essential for the coherent, ethical frame of the film.
author Lainé, Anne
spellingShingle Lainé, Anne
Filmer les témoins du génocide des Tutsi. L’éthique en guise d’esthétique
author_facet Lainé, Anne
author_sort Lainé, Anne
title Filmer les témoins du génocide des Tutsi. L’éthique en guise d’esthétique
title_short Filmer les témoins du génocide des Tutsi. L’éthique en guise d’esthétique
title_full Filmer les témoins du génocide des Tutsi. L’éthique en guise d’esthétique
title_fullStr Filmer les témoins du génocide des Tutsi. L’éthique en guise d’esthétique
title_full_unstemmed Filmer les témoins du génocide des Tutsi. L’éthique en guise d’esthétique
title_sort filmer les témoins du génocide des tutsi. l’éthique en guise d’esthétique
publishDate 2009
container_title
container_issue
url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-d-histoire-de-la-shoah-2009-1-page-383?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rhsho.190.0383
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