La Tonte
The first four decades of Israel’s existence were maked by a cultural code that inhibited a literary engagement with the human experiences of the Holocaust. Since the mid-1980s, a growing number of Israel writers have attempted to textualize the horrific experiences of the Holocaust so as to make th...
שמור ב:
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| פורמט: | Article ou chapitre numérique |
| שפה: | Français |
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2006
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| גישה מקוונת: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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cairn-RHSHO_184_0303 |
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cairn |
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cairn-RHSHO_184_0303RHSHORevue d’Histoire de la Shoah https://shs.cairn.info/revue-d-histoire-de-la-shoah-2006-1-page-303?lang=fr https://doi.org/10.3917/rhsho.184.0303 La Tonte Liebrecht, SavyonDuris-Massa, ChantalGoudaert, FrançoiseSaquer-Sabin, Françoise2006 fre Revue d’Histoire de la Shoah | 184 | 1 | 2006-03-01 | p. 303-308 | 2111-885X RHSHO_18448 The first four decades of Israel’s existence were maked by a cultural code that inhibited a literary engagement with the human experiences of the Holocaust. Since the mid-1980s, a growing number of Israel writers have attempted to textualize the horrific experiences of the Holocaust so as to make them tangible to the imagination and available to emotion and to thought. Each includes an unflinching encounter with the agonies of the concentrationary universe as an essential step in the process of integrating the Holocaust experience into the identity of its protagonist. The narrative strategies adopted in each case include powerful elements of the fantastic as a means of penetrating prohibited regions of the psyche and the culture and reclaiming the suppressed experience of the Holocaust. David Grossman’s See under : Love exemplifies this trend in Israeli writing.Cairn free access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| description |
The first four decades of Israel’s existence were maked by a cultural code that inhibited a literary engagement with the human experiences of the Holocaust. Since the mid-1980s, a growing number of Israel writers have attempted to textualize the horrific experiences of the Holocaust so as to make them tangible to the imagination and available to emotion and to thought. Each includes an unflinching encounter with the agonies of the concentrationary universe as an essential step in the process of integrating the Holocaust experience into the identity of its protagonist. The narrative strategies adopted in each case include powerful elements of the fantastic as a means of penetrating prohibited regions of the psyche and the culture and reclaiming the suppressed experience of the Holocaust. David Grossman’s See under : Love exemplifies this trend in Israeli writing. |
| author |
Liebrecht, Savyon Duris-Massa, Chantal Goudaert, Françoise Saquer-Sabin, Françoise |
| spellingShingle |
Liebrecht, Savyon Duris-Massa, Chantal Goudaert, Françoise Saquer-Sabin, Françoise La Tonte |
| author_facet |
Liebrecht, Savyon Duris-Massa, Chantal Goudaert, Françoise Saquer-Sabin, Françoise |
| author_sort |
Liebrecht, Savyon |
| title |
La Tonte |
| title_short |
La Tonte |
| title_full |
La Tonte |
| title_fullStr |
La Tonte |
| title_full_unstemmed |
La Tonte |
| title_sort |
la tonte |
| publishDate |
2006 |
| container_title |
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| container_issue |
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| url |
https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-d-histoire-de-la-shoah-2006-1-page-303?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rhsho.184.0303 |
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