Les fiançailles de Hayouta

The first four decades of Israel’s existence were maked by a cultural code that inhibited a literary engagement with the human experiences of the Holocaust. Since the mid-1980s, a growing number of Israel writers have attempted to textualize the horrific experiences of the Holocaust so as to make th...

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Auteurs principaux: Liebrecht, Savyon, Belity, Paul
Format: Article ou chapitre numérique
Langue:Français
Publié: 2006
Accès en ligne:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RHSHO_184_0291RHSHORevue d’Histoire de la Shoah https://shs.cairn.info/revue-d-histoire-de-la-shoah-2006-1-page-291?lang=fr https://doi.org/10.3917/rhsho.184.0291 Les fiançailles de Hayouta Liebrecht, SavyonBelity, Paul2006 fre Revue d’Histoire de la Shoah | 184 | 1 | 2006-03-01 | p. 291-301 | 2111-885X RHSHO_18447 The first four decades of Israel’s existence were maked by a cultural code that inhibited a literary engagement with the human experiences of the Holocaust. Since the mid-1980s, a growing number of Israel writers have attempted to textualize the horrific experiences of the Holocaust so as to make them tangible to the imagination and available to emotion and to thought. Each includes an unflinching encounter with the agonies of the concentrationary universe as an essential step in the process of integrating the Holocaust experience into the identity of its protagonist. The narrative strategies adopted in each case include powerful elements of the fantastic as a means of penetrating prohibited regions of the psyche and the culture and reclaiming the suppressed experience of the Holocaust. David Grossman’s See under : Love exemplifies this trend in Israeli writing.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
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description The first four decades of Israel’s existence were maked by a cultural code that inhibited a literary engagement with the human experiences of the Holocaust. Since the mid-1980s, a growing number of Israel writers have attempted to textualize the horrific experiences of the Holocaust so as to make them tangible to the imagination and available to emotion and to thought. Each includes an unflinching encounter with the agonies of the concentrationary universe as an essential step in the process of integrating the Holocaust experience into the identity of its protagonist. The narrative strategies adopted in each case include powerful elements of the fantastic as a means of penetrating prohibited regions of the psyche and the culture and reclaiming the suppressed experience of the Holocaust. David Grossman’s See under : Love exemplifies this trend in Israeli writing.
author Liebrecht, Savyon
Belity, Paul
spellingShingle Liebrecht, Savyon
Belity, Paul
Les fiançailles de Hayouta
author_facet Liebrecht, Savyon
Belity, Paul
author_sort Liebrecht, Savyon
title Les fiançailles de Hayouta
title_short Les fiançailles de Hayouta
title_full Les fiançailles de Hayouta
title_fullStr Les fiançailles de Hayouta
title_full_unstemmed Les fiançailles de Hayouta
title_sort les fiançailles de hayouta
publishDate 2006
container_title
container_issue
url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-d-histoire-de-la-shoah-2006-1-page-291?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rhsho.184.0291
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