Discours de deuil et de renaissance

Discours de deuil et de renaissance

Both Leah Goldberg’s play Lady of the Castle (1954) and Shulamith Hareven’s short story The Witness (1980) illustrate the failure of the Israeli to come to terms with the horror of the Holocaust. The play presents the story of Lena, a Holocaust orphan, who is rescued by members of the Israeli Yishu...

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Auteurs principaux: Brenner, Rachel Feldhay, Darmon, Claire
פורמט: Article ou chapitre numérique
שפה:Français
יצא לאור: 2006
גישה מקוונת:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
id cairn-RHSHO_184_0205
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spelling cairn-RHSHO_184_0205RHSHORevue d’Histoire de la Shoah https://shs.cairn.info/revue-d-histoire-de-la-shoah-2006-1-page-205?lang=fr https://doi.org/10.3917/rhsho.184.0205 Discours de deuil et de renaissance Brenner, Rachel FeldhayDarmon, Claire2006 fre Revue d’Histoire de la Shoah | 184 | 1 | 2006-03-01 | p. 205-221 | 2111-885X RHSHO_18444 Both Leah Goldberg’s play Lady of the Castle (1954) and Shulamith Hareven’s short story The Witness (1980) illustrate the failure of the Israeli to come to terms with the horror of the Holocaust. The play presents the story of Lena, a Holocaust orphan, who is rescued by members of the Israeli Yishuv from a Castle where she was kept hidden away during the war. The conflict that emerges runs counter the popular myth of the Holocaust victim embracing the hope of a new future in the heroically idealistic Israeli. Shlomek, the protagonist of the story is an orphaned Holocaust refugee, who gets to Israel in 1940. The practically unanimous denial of the victim’s testimony isolates him in his new home. The possibility of a direct dialogue does not materialize in either of the texts. These literary representations of post-Holocaust Israeli reality reflect the need to resume the interrupted discourse between the diasporic past and the Israel present.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
description Both Leah Goldberg’s play Lady of the Castle (1954) and Shulamith Hareven’s short story The Witness (1980) illustrate the failure of the Israeli to come to terms with the horror of the Holocaust. The play presents the story of Lena, a Holocaust orphan, who is rescued by members of the Israeli Yishuv from a Castle where she was kept hidden away during the war. The conflict that emerges runs counter the popular myth of the Holocaust victim embracing the hope of a new future in the heroically idealistic Israeli. Shlomek, the protagonist of the story is an orphaned Holocaust refugee, who gets to Israel in 1940. The practically unanimous denial of the victim’s testimony isolates him in his new home. The possibility of a direct dialogue does not materialize in either of the texts. These literary representations of post-Holocaust Israeli reality reflect the need to resume the interrupted discourse between the diasporic past and the Israel present.
author Brenner, Rachel Feldhay
Darmon, Claire
spellingShingle Brenner, Rachel Feldhay
Darmon, Claire
Discours de deuil et de renaissance
author_facet Brenner, Rachel Feldhay
Darmon, Claire
author_sort Brenner, Rachel Feldhay
title Discours de deuil et de renaissance
title_short Discours de deuil et de renaissance
title_full Discours de deuil et de renaissance
title_fullStr Discours de deuil et de renaissance
title_full_unstemmed Discours de deuil et de renaissance
title_sort discours de deuil et de renaissance
publishDate 2006
container_title
container_issue
url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-d-histoire-de-la-shoah-2006-1-page-205?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rhsho.184.0205
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