Agnon a-t-il écrit sur la Shoah ?

Agnon a-t-il écrit sur la Shoah ?

Children of the Shadows was first performed at Habimah National Theatre in 1962, then in the United States and Canada in 1964. Today a classic of Israeli theatre history, taught in Israeli schools and departments of Hebrew Literature around the world, the play unveiled the conflictual identity of a...

Ful tanımlama

Kaydedildi:
Detaylı Bibliyografya
Asıl Yazarlar: Laor, Dan, Darmon, Claire
Materyal Türü: Article ou chapitre numérique
Dil:Français
Baskı/Yayın Bilgisi: 2006
Online Erişim:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
id cairn-RHSHO_184_0129
record_format cairn
spelling cairn-RHSHO_184_0129RHSHORevue d’Histoire de la Shoah https://shs.cairn.info/revue-d-histoire-de-la-shoah-2006-1-page-129?lang=fr https://doi.org/10.3917/rhsho.184.0129 Agnon a-t-il écrit sur la Shoah ? Laor, DanDarmon, Claire2006 fre Revue d’Histoire de la Shoah | 184 | 1 | 2006-03-01 | p. 129-161 | 2111-885X RHSHO_18438 Children of the Shadows was first performed at Habimah National Theatre in 1962, then in the United States and Canada in 1964. Today a classic of Israeli theatre history, taught in Israeli schools and departments of Hebrew Literature around the world, the play unveiled the conflictual identity of a Shoah survivor in the time of the pre-State Yishuv’s struggle for survival. Striving to be accepted by the other children of his kibbutz and compelled to hide, even from himself, his past and his wounds as a “Child of Teheran”, Yossele became Yoram, a hero of the War of Independence. But the arrival of his surviving family and friends forced him to face his diasporic and once victimized Self. In the sixties, the play triggered a lively debate about the components of Israeli identity, the cult of heroism and contempt for non-fighting victims of the Nazism.The article describes the reception of the play and tries to shed light on the still relatively unknown biography and personality of the playwright, who was born in Poland (1928) as Beniek (Benzi) Teitelbaum and died in Tel Aviv in 1998, as Ben Zion Tomer, teacher, diplomat, poet, translator, and “Israeli”.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
description Children of the Shadows was first performed at Habimah National Theatre in 1962, then in the United States and Canada in 1964. Today a classic of Israeli theatre history, taught in Israeli schools and departments of Hebrew Literature around the world, the play unveiled the conflictual identity of a Shoah survivor in the time of the pre-State Yishuv’s struggle for survival. Striving to be accepted by the other children of his kibbutz and compelled to hide, even from himself, his past and his wounds as a “Child of Teheran”, Yossele became Yoram, a hero of the War of Independence. But the arrival of his surviving family and friends forced him to face his diasporic and once victimized Self. In the sixties, the play triggered a lively debate about the components of Israeli identity, the cult of heroism and contempt for non-fighting victims of the Nazism.The article describes the reception of the play and tries to shed light on the still relatively unknown biography and personality of the playwright, who was born in Poland (1928) as Beniek (Benzi) Teitelbaum and died in Tel Aviv in 1998, as Ben Zion Tomer, teacher, diplomat, poet, translator, and “Israeli”.
author Laor, Dan
Darmon, Claire
spellingShingle Laor, Dan
Darmon, Claire
Agnon a-t-il écrit sur la Shoah ?
author_facet Laor, Dan
Darmon, Claire
author_sort Laor, Dan
title Agnon a-t-il écrit sur la Shoah ?
title_short Agnon a-t-il écrit sur la Shoah ?
title_full Agnon a-t-il écrit sur la Shoah ?
title_fullStr Agnon a-t-il écrit sur la Shoah ?
title_full_unstemmed Agnon a-t-il écrit sur la Shoah ?
title_sort agnon a-t-il écrit sur la shoah ?
publishDate 2006
container_title
container_issue
url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-d-histoire-de-la-shoah-2006-1-page-129?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rhsho.184.0129
_version_ 1877246645637218304

Benzer Materyaller