Traces d'assassinats devenues musées : Auschwitz-Birkenau, Phnom-Penh

Becker shows how does museography treats the worst mass-crimes ever perpetrated in the Twentieth Century. The author tries to understand the importance of traces at these sites of suffering both in order to write the History and for the sake of cristallisation of memory via commemorations that marke...

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Κύριος συγγραφέας: Becker, Annette
Μορφή: Article ou chapitre numérique
Γλώσσα:Français
Έκδοση: 2004
Διαθέσιμο Online:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
id cairn-RHSHO1_181_0299
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spelling cairn-RHSHO1_181_0299RHSHO1Revue d’Histoire de la Shoah https://shs.cairn.info/revue-revue-d-histoire-de-la-shoah1-2004-2-page-305?lang=fr https://doi.org/10.3917/rhsho1.181.0299 Traces d'assassinats devenues musées : Auschwitz-Birkenau, Phnom-Penh Becker, Annette2004 fre Revue d’Histoire de la Shoah | 181 | 2 | 2004-07-01 | p. 305-316 | 1281-1505 RHSHO1_18166 Becker shows how does museography treats the worst mass-crimes ever perpetrated in the Twentieth Century. The author tries to understand the importance of traces at these sites of suffering both in order to write the History and for the sake of cristallisation of memory via commemorations that marked the decades subsequent to the First World War, and also in the tradition of pilgrimage organized to the battle fields. According to Becker, the museum, regardless of its location, does not aim that much at pure intellect but rather towards emotion emanating from visual and olfactory senses. These killing sites make us understand that beyond the cold statistics of losses, a genocide is also, and maybe mainly, the death of a person, and still another person, and another, etc.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
description Becker shows how does museography treats the worst mass-crimes ever perpetrated in the Twentieth Century. The author tries to understand the importance of traces at these sites of suffering both in order to write the History and for the sake of cristallisation of memory via commemorations that marked the decades subsequent to the First World War, and also in the tradition of pilgrimage organized to the battle fields. According to Becker, the museum, regardless of its location, does not aim that much at pure intellect but rather towards emotion emanating from visual and olfactory senses. These killing sites make us understand that beyond the cold statistics of losses, a genocide is also, and maybe mainly, the death of a person, and still another person, and another, etc.
author Becker, Annette
spellingShingle Becker, Annette
Traces d'assassinats devenues musées : Auschwitz-Birkenau, Phnom-Penh
author_facet Becker, Annette
author_sort Becker, Annette
title Traces d'assassinats devenues musées : Auschwitz-Birkenau, Phnom-Penh
title_short Traces d'assassinats devenues musées : Auschwitz-Birkenau, Phnom-Penh
title_full Traces d'assassinats devenues musées : Auschwitz-Birkenau, Phnom-Penh
title_fullStr Traces d'assassinats devenues musées : Auschwitz-Birkenau, Phnom-Penh
title_full_unstemmed Traces d'assassinats devenues musées : Auschwitz-Birkenau, Phnom-Penh
title_sort traces d'assassinats devenues musées : auschwitz-birkenau, phnom-penh
publishDate 2004
container_title
container_issue
url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-revue-d-histoire-de-la-shoah1-2004-2-page-305?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rhsho1.181.0299
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