Du négationnisme de trait arabe à la caricature « antisoniste » occidentale. L'instrumentalisation de la Shoah dans la caricature depuis la seconde intifada
When Israel was founded, an absolute aberrance for the Arab world, the traditions of the Dhimmi were compounded by hatred. Arab and Muslim anti-Judaism has led to the development of a peculiarly Islamic version of traditional Christian anti-Semitic myths, from the blood libel to the concept of world...
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| Format: | Article ou chapitre numérique |
| Sprog: | Français |
| Udgivet: |
2004
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| Online adgang: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Summary: | When Israel was founded, an absolute aberrance for the Arab world, the
traditions of the Dhimmi were compounded by hatred. Arab and Muslim
anti-Judaism has led to the development of a peculiarly Islamic version of
traditional Christian anti-Semitic myths, from the blood libel to the concept
of world Jewish conspiracy epitomised by the Protocols of the Elders of
Zion. To which one must now add the trend for tuming the Holocaust
against the Jews in what has now become the widespread reproach of the
victim-turned-oppressor. Israel, it should be said, is the one topic about
which Arab caricaturists can express their anger unfettered. Everything
else is taboo. Hence the excesses born out of a sense of frustration, but
affected by a major contradiction which Joël Kotek brings to light: how to
denounce Zionism as the Jewish version of Nazism, using words, pictures
and aims themselves inspired by Nazism? |
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