Échos de La Marseillaise, en Espagne (XIXe-XXe siècles)
The French anthem had established itself in Spain as a revolutionary song from the first half of the XIXth century. Among the French republican symbols adopted in Spain by the republican political culture, La Marseillaise was (and is) the best known and the most identified with the revolutionary fig...
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2017
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| Online dostop: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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cairn-RHA_287_0057RHARevue Historique des Armées https://shs.cairn.info/revue-historique-des-armees-2017-2-page-57?lang=fr https://doi.org/10.3917/rha.287.0057 Échos de La Marseillaise, en Espagne (XIXe-XXe siècles) Orobon, Marie-Angèle2017 fre Revue Historique des Armées | 287 | 2 | 2017-01-02 | p. 57-65 | 0035-3299 RHA_2873 The French anthem had established itself in Spain as a revolutionary song from the first half of the XIXth century. Among the French republican symbols adopted in Spain by the republican political culture, La Marseillaise was (and is) the best known and the most identified with the revolutionary fight and with the freedom of the peoples. The adaptations of this song in Spain from the first stages of the liberalism, like the Anthem of Riego, then the appropriation of its music by the republican political culture gave birth to numerous patriotic, regionalist, and revolutionary versions that made the French anthem the identity mark of the Revolution in Spain.Cairn restricted access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| description |
The French anthem had established itself in Spain as a revolutionary song from the first half of the XIXth century. Among the French republican symbols adopted in Spain by the republican political culture, La Marseillaise was (and is) the best known and the most identified with the revolutionary fight and with the freedom of the peoples. The adaptations of this song in Spain from the first stages of the liberalism, like the Anthem of Riego, then the appropriation of its music by the republican political culture gave birth to numerous patriotic, regionalist, and revolutionary versions that made the French anthem the identity mark of the Revolution in Spain. |
| author |
Orobon, Marie-Angèle |
| spellingShingle |
Orobon, Marie-Angèle Échos de La Marseillaise, en Espagne (XIXe-XXe siècles) |
| author_facet |
Orobon, Marie-Angèle |
| author_sort |
Orobon, Marie-Angèle |
| title |
Échos de La Marseillaise, en Espagne (XIXe-XXe siècles) |
| title_short |
Échos de La Marseillaise, en Espagne (XIXe-XXe siècles) |
| title_full |
Échos de La Marseillaise, en Espagne (XIXe-XXe siècles) |
| title_fullStr |
Échos de La Marseillaise, en Espagne (XIXe-XXe siècles) |
| title_full_unstemmed |
Échos de La Marseillaise, en Espagne (XIXe-XXe siècles) |
| title_sort |
échos de la marseillaise, en espagne (xixe-xxe siècles) |
| publishDate |
2017 |
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| container_issue |
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| url |
https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-historique-des-armees-2017-2-page-57?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rha.287.0057 |
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