Échos de La Marseillaise, en Espagne (XIXe-XXe siècles)

The French anthem had established itself in Spain as a revolutionary song from the first half of the XIXth century. Among the French republican symbols adopted in Spain by the republican political culture, La Marseillaise was (and is) the best known and the most identified with the revolutionary fig...

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Glavni avtor: Orobon, Marie-Angèle
Format: Article ou chapitre numérique
Jezik:Français
Izdano: 2017
Online dostop:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
id cairn-RHA_287_0057
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spelling cairn-RHA_287_0057RHARevue Historique des Armées https://shs.cairn.info/revue-historique-des-armees-2017-2-page-57?lang=fr https://doi.org/10.3917/rha.287.0057 Échos de La Marseillaise, en Espagne (XIXe-XXe siècles) Orobon, Marie-Angèle2017 fre Revue Historique des Armées | 287 | 2 | 2017-01-02 | p. 57-65 | 0035-3299 RHA_2873 The French anthem had established itself in Spain as a revolutionary song from the first half of the XIXth century. Among the French republican symbols adopted in Spain by the republican political culture, La Marseillaise was (and is) the best known and the most identified with the revolutionary fight and with the freedom of the peoples. The adaptations of this song in Spain from the first stages of the liberalism, like the Anthem of Riego, then the appropriation of its music by the republican political culture gave birth to numerous patriotic, regionalist, and revolutionary versions that made the French anthem the identity mark of the Revolution in Spain.Cairn restricted access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
description The French anthem had established itself in Spain as a revolutionary song from the first half of the XIXth century. Among the French republican symbols adopted in Spain by the republican political culture, La Marseillaise was (and is) the best known and the most identified with the revolutionary fight and with the freedom of the peoples. The adaptations of this song in Spain from the first stages of the liberalism, like the Anthem of Riego, then the appropriation of its music by the republican political culture gave birth to numerous patriotic, regionalist, and revolutionary versions that made the French anthem the identity mark of the Revolution in Spain.
author Orobon, Marie-Angèle
spellingShingle Orobon, Marie-Angèle
Échos de La Marseillaise, en Espagne (XIXe-XXe siècles)
author_facet Orobon, Marie-Angèle
author_sort Orobon, Marie-Angèle
title Échos de La Marseillaise, en Espagne (XIXe-XXe siècles)
title_short Échos de La Marseillaise, en Espagne (XIXe-XXe siècles)
title_full Échos de La Marseillaise, en Espagne (XIXe-XXe siècles)
title_fullStr Échos de La Marseillaise, en Espagne (XIXe-XXe siècles)
title_full_unstemmed Échos de La Marseillaise, en Espagne (XIXe-XXe siècles)
title_sort échos de la marseillaise, en espagne (xixe-xxe siècles)
publishDate 2017
container_title
container_issue
url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-historique-des-armees-2017-2-page-57?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rha.287.0057
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