Iconographie de la Moskowa : l’exemple de l’aquarelle de Ferdinand Georges Tartarat
The author of this article presents a six part classification of paintings representing the battle of Moskowa-Borodino, in terms of the temporal and geographical distance with events. He thus contextualizes the watercolor version of events painted by Ferdinand Georges Taratarat soon after the battle...
Enregistré dans:
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| Format: | Article ou chapitre numérique |
| Langue: | Français |
| Publié: |
2014
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Résumé: | The author of this article presents a six part classification of paintings representing the battle of Moskowa-Borodino, in terms of the temporal and geographical distance with events. He thus contextualizes the watercolor version of events painted by Ferdinand Georges Taratarat soon after the battles within the vast iconography illustrating these bloody moments between the Russian and the French. |
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