Robert E. Lee. La légende sudiste, Vincent Bernard, Perrin, 2014, 446 pages

This article proposes to study the military songs of the French Army in the second half of the twentieth century. Though not pioneering in the study of the entire body [of work], the study consists of placing songs in context as part of a cultural history. A number of French military songs are of fo...

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Auteur principal: Dominé, Jean-François
Format: Article ou chapitre numérique
Langue:Français
Publié: 2014
Accès en ligne:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RHA_275_0140aRHARevue Historique des Armées https://shs.cairn.info/revue-historique-des-armees-2014-2-page-140a?lang=fr https://doi.org/10.3917/rha.275.0140a Robert E. Lee. La légende sudiste, Vincent Bernard, Perrin, 2014, 446 pages Dominé, Jean-François2014 fre Revue Historique des Armées | 275 | 2 | 2014-01-01 | p. 140a-140a | 0035-3299 RHA_27574 This article proposes to study the military songs of the French Army in the second half of the twentieth century. Though not pioneering in the study of the entire body [of work], the study consists of placing songs in context as part of a cultural history. A number of French military songs are of foreign inspiration. Thus, they fall within a supranational culture. Following the work of Didier Francfort that challenges the nationalist character of music (Le Chant des Nations, Hachette Literature), we can update the following paradox. The Army is a representative institution of the nation par excellence. However, some songs are influenced to varying degrees by foreign models, which together form a transnational culture. These influences help to amalgamate troops and, while retaining foreign symbols, to strengthen the Army-Nation link in France.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
description This article proposes to study the military songs of the French Army in the second half of the twentieth century. Though not pioneering in the study of the entire body [of work], the study consists of placing songs in context as part of a cultural history. A number of French military songs are of foreign inspiration. Thus, they fall within a supranational culture. Following the work of Didier Francfort that challenges the nationalist character of music (Le Chant des Nations, Hachette Literature), we can update the following paradox. The Army is a representative institution of the nation par excellence. However, some songs are influenced to varying degrees by foreign models, which together form a transnational culture. These influences help to amalgamate troops and, while retaining foreign symbols, to strengthen the Army-Nation link in France.
author Dominé, Jean-François
spellingShingle Dominé, Jean-François
Robert E. Lee. La légende sudiste, Vincent Bernard, Perrin, 2014, 446 pages
author_facet Dominé, Jean-François
author_sort Dominé, Jean-François
title Robert E. Lee. La légende sudiste, Vincent Bernard, Perrin, 2014, 446 pages
title_short Robert E. Lee. La légende sudiste, Vincent Bernard, Perrin, 2014, 446 pages
title_full Robert E. Lee. La légende sudiste, Vincent Bernard, Perrin, 2014, 446 pages
title_fullStr Robert E. Lee. La légende sudiste, Vincent Bernard, Perrin, 2014, 446 pages
title_full_unstemmed Robert E. Lee. La légende sudiste, Vincent Bernard, Perrin, 2014, 446 pages
title_sort robert e. lee. la légende sudiste, vincent bernard, perrin, 2014, 446 pages
publishDate 2014
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url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-historique-des-armees-2014-2-page-140a?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rha.275.0140a
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