Deutschlands Heer und Marine im Ersten Weltkrieg, Christian Stachelbeck, Oldenbourg, 2013, 224 pages

Deutschlands Heer und Marine im Ersten Weltkrieg, Christian Stachelbeck, Oldenbourg, 2013, 224 pages

This article proposes to study the military songs of the French Army in the second half of the twentieth century. Though not pioneering in the study of the entire body [of work], the study consists of placing songs in context as part of a cultural history. A number of French military songs are of fo...

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Hlavní autor: Heinemann, Julia
Médium: Article ou chapitre numérique
Jazyk:Français
Vydáno: 2014
On-line přístup:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
id cairn-RHA_275_0140
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spelling cairn-RHA_275_0140RHARevue Historique des Armées https://shs.cairn.info/revue-historique-des-armees-2014-2-page-140?lang=fr https://doi.org/10.3917/rha.275.0140 Deutschlands Heer und Marine im Ersten Weltkrieg, Christian Stachelbeck, Oldenbourg, 2013, 224 pages Heinemann, Julia2014 fre Revue Historique des Armées | 275 | 2 | 2014-01-01 | p. 140-140 | 0035-3299 RHA_27573 This article proposes to study the military songs of the French Army in the second half of the twentieth century. Though not pioneering in the study of the entire body [of work], the study consists of placing songs in context as part of a cultural history. A number of French military songs are of foreign inspiration. Thus, they fall within a supranational culture. Following the work of Didier Francfort that challenges the nationalist character of music (Le Chant des Nations, Hachette Literature), we can update the following paradox. The Army is a representative institution of the nation par excellence. However, some songs are influenced to varying degrees by foreign models, which together form a transnational culture. These influences help to amalgamate troops and, while retaining foreign symbols, to strengthen the Army-Nation link in France.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
description This article proposes to study the military songs of the French Army in the second half of the twentieth century. Though not pioneering in the study of the entire body [of work], the study consists of placing songs in context as part of a cultural history. A number of French military songs are of foreign inspiration. Thus, they fall within a supranational culture. Following the work of Didier Francfort that challenges the nationalist character of music (Le Chant des Nations, Hachette Literature), we can update the following paradox. The Army is a representative institution of the nation par excellence. However, some songs are influenced to varying degrees by foreign models, which together form a transnational culture. These influences help to amalgamate troops and, while retaining foreign symbols, to strengthen the Army-Nation link in France.
author Heinemann, Julia
spellingShingle Heinemann, Julia
Deutschlands Heer und Marine im Ersten Weltkrieg, Christian Stachelbeck, Oldenbourg, 2013, 224 pages
author_facet Heinemann, Julia
author_sort Heinemann, Julia
title Deutschlands Heer und Marine im Ersten Weltkrieg, Christian Stachelbeck, Oldenbourg, 2013, 224 pages
title_short Deutschlands Heer und Marine im Ersten Weltkrieg, Christian Stachelbeck, Oldenbourg, 2013, 224 pages
title_full Deutschlands Heer und Marine im Ersten Weltkrieg, Christian Stachelbeck, Oldenbourg, 2013, 224 pages
title_fullStr Deutschlands Heer und Marine im Ersten Weltkrieg, Christian Stachelbeck, Oldenbourg, 2013, 224 pages
title_full_unstemmed Deutschlands Heer und Marine im Ersten Weltkrieg, Christian Stachelbeck, Oldenbourg, 2013, 224 pages
title_sort deutschlands heer und marine im ersten weltkrieg, christian stachelbeck, oldenbourg, 2013, 224 pages
publishDate 2014
container_title
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url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-historique-des-armees-2014-2-page-140?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rha.275.0140
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