Les chants militaires français : une culture transnationale ?
This article proposes to study the military songs of the French Army in the second half of the twentieth century. Though not pioneering in the study of the entire body [of work], the study consists of placing songs in context as part of a cultural history. A number of French military songs are of fo...
Wedi'i Gadw mewn:
| Prif Awduron: | , |
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| Fformat: | Article ou chapitre numérique |
| Iaith: | Français |
| Cyhoeddwyd: |
2014
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| Mynediad Ar-lein: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Crynodeb: | This article proposes to study the military songs of the French Army in the second half of the twentieth century. Though not pioneering in the study of the entire body [of work], the study consists of placing songs in context as part of a cultural history. A number of French military songs are of foreign inspiration. Thus, they fall within a supranational culture. Following the work of Didier Francfort that challenges the nationalist character of music (Le Chant des Nations, Hachette Literature), we can update the following paradox. The Army is a representative institution of the nation par excellence. However, some songs are influenced to varying degrees by foreign models, which together form a transnational culture. These influences help to amalgamate troops and, while retaining foreign symbols, to strengthen the Army-Nation link in France. |
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