Lecture de Marilia Aiseinstein
In seeing Mark Rothko’s work, trying to look at it while recognizing our unconscious participation in it, in order to draw out its destructive aestheticism of erasure, which Rothko’s life also allows us to approach. Placing the work within the Monochrome art movement allows an affiliation that opens...
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| Natura: | Article ou chapitre numérique |
| Lingua: | Français |
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2025
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| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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cairn-RFPS_068_0013 |
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cairn-RFPS_068_0013RFPSRevue française de psychosomatique https://shs.cairn.info/revue-revue-francaise-de-psychosomatique-2025-2-page-13?lang=fr https://doi.org/10.3917/rfps.068.0013 Lecture de Marilia Aiseinstein Cointot, Françoise2025 fre Revue française de psychosomatique | 68 | 2 | 2025-10-28 | p. 13-13 | 1164-4796 RFPS_06880 In seeing Mark Rothko’s work, trying to look at it while recognizing our unconscious participation in it, in order to draw out its destructive aestheticism of erasure, which Rothko’s life also allows us to approach. Placing the work within the Monochrome art movement allows an affiliation that opens up to the function of negative sublimations, creating survival color-spaces due to the failure of an internal framing structure.En voyant l’œuvre de Mark Rothko, tenter de la regarder en y reconnaissant notre participation inconsciente pour en dégager son esthétisme destructeur de l’effacement que la vie aussi de Rothko nous permet d’approcher. Plaçant l’œuvre dans le courant artistique des Monochromies, elle permet une affiliation ouvrant à la fonction des sublimations négatives, en créant des espaces-couleurs de survie par défaillance d’une structure encadrante interne.Cairn restricted access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| description |
In seeing Mark Rothko’s work, trying to look at it while recognizing our unconscious participation in it, in order to draw out its destructive aestheticism of erasure, which Rothko’s life also allows us to approach. Placing the work within the Monochrome art movement allows an affiliation that opens up to the function of negative sublimations, creating survival color-spaces due to the failure of an internal framing structure. |
| author |
Cointot, Françoise |
| spellingShingle |
Cointot, Françoise Lecture de Marilia Aiseinstein |
| author_facet |
Cointot, Françoise |
| author_sort |
Cointot, Françoise |
| title |
Lecture de Marilia Aiseinstein |
| title_short |
Lecture de Marilia Aiseinstein |
| title_full |
Lecture de Marilia Aiseinstein |
| title_fullStr |
Lecture de Marilia Aiseinstein |
| title_full_unstemmed |
Lecture de Marilia Aiseinstein |
| title_sort |
lecture de marilia aiseinstein |
| publishDate |
2025 |
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| container_issue |
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| url |
https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-revue-francaise-de-psychosomatique-2025-2-page-13?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rfps.068.0013 |
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