Le jazz : modernité, modernisme, identité
Since the 1910s, jazz has been the soundtrack of modernity. In view of the long and rich history of this art form, the aim of this paper is to study the connections between black musics, cultures and identities that critics such as LeRoi Jones, Ralph Ellison and Paul Gilroy have brought to light. Ja...
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| Materyal Türü: | Article ou chapitre numérique |
| Dil: | Français |
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2001
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| Online Erişim: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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cairn-RFEA_HS01_0084 |
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cairn |
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cairn-RFEA_HS01_0084RFEARevue française d’études américaines https://shs.cairn.info/revue-francaise-d-etudes-americaines-2001-5-page-84?lang=fr https://doi.org/10.3917/rfea.hs01.0084 Le jazz : modernité, modernisme, identité Gonzalez, Éric2001 États-Unisidentitéjazzmodernitémusique de modernismenoirsafrican-americansintellectual lifejazz history and criticismmodernismmusicians blackfre Revue française d’études américaines | Hors-série | 5 | 2001-11-01 | p. 84-96 | 0397-7870 RFEA_HS0192 Since the 1910s, jazz has been the soundtrack of modernity. In view of the long and rich history of this art form, the aim of this paper is to study the connections between black musics, cultures and identities that critics such as LeRoi Jones, Ralph Ellison and Paul Gilroy have brought to light. Jazz musicians’ multifaceted and plural status in particular provides an interesting synecdoche of the transatlantic transactions which have been the mainspring of western culture.Cairn free access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| topic |
États-Unis identité jazz modernité musique de modernisme noirs african-americans intellectual life jazz history and criticism modernism musicians black |
| spellingShingle |
États-Unis identité jazz modernité musique de modernisme noirs african-americans intellectual life jazz history and criticism modernism musicians black Gonzalez, Éric Le jazz : modernité, modernisme, identité |
| topic_facet |
États-Unis identité jazz modernité musique de modernisme noirs african-americans intellectual life jazz history and criticism modernism musicians black |
| description |
Since the 1910s, jazz has been the soundtrack of modernity. In view of the long and rich history of this art form, the aim of this paper is to study the connections between black musics, cultures and identities that critics such as LeRoi Jones, Ralph Ellison and Paul Gilroy have brought to light. Jazz musicians’ multifaceted and plural status in particular provides an interesting synecdoche of the transatlantic transactions which have been the mainspring of western culture. |
| author |
Gonzalez, Éric |
| author_facet |
Gonzalez, Éric |
| author_sort |
Gonzalez, Éric |
| title |
Le jazz : modernité, modernisme, identité |
| title_short |
Le jazz : modernité, modernisme, identité |
| title_full |
Le jazz : modernité, modernisme, identité |
| title_fullStr |
Le jazz : modernité, modernisme, identité |
| title_full_unstemmed |
Le jazz : modernité, modernisme, identité |
| title_sort |
le jazz : modernité, modernisme, identité |
| publishDate |
2001 |
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| container_issue |
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| url |
https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-francaise-d-etudes-americaines-2001-5-page-84?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rfea.hs01.0084 |
| _version_ |
1877246552820416512 |