Les limites de la réception savante du jazz en France : La Revue musicale, 1920-1939
All things considered, one may claim that, during the 1920s and 1930s, La Revue musicale, a serious (and very Parisian) musical publication became aware of the importance of jazz for the French musical elite (made up of connoisseurs, critics and musicians). Well-known professional musical critics —...
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| Format: | Article ou chapitre numérique |
| Jezik: | Français |
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2001
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| Online dostop: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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cairn-RFEA_HS01_0038 |
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cairn |
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cairn-RFEA_HS01_0038RFEARevue française d’études américaines https://shs.cairn.info/revue-francaise-d-etudes-americaines-2001-5-page-38?lang=fr https://doi.org/10.3917/rfea.hs01.0038 Les limites de la réception savante du jazz en France : La Revue musicale, 1920-1939 Fouché, Nicole2001 1920-1939critiqueFrancejazzréception1920-1939criticismFrancejazzreceptionfre Revue française d’études américaines | Hors-série | 5 | 2001-11-01 | p. 38-52 | 0397-7870 RFEA_HS0188 All things considered, one may claim that, during the 1920s and 1930s, La Revue musicale, a serious (and very Parisian) musical publication became aware of the importance of jazz for the French musical elite (made up of connoisseurs, critics and musicians). Well-known professional musical critics —Henry Prunières, André Cœuroy, Arthur Hoerée, Hugues Panassié and others — expressed the view that jazz was indeed a new combination of music, rhythm and life, but they eventually failed in their effort to understand it because of certain cultural barriers : jazz and Negro cultural values, jazz and improvisation.Cairn free access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| topic |
1920-1939 critique France jazz réception 1920-1939 criticism France jazz reception |
| spellingShingle |
1920-1939 critique France jazz réception 1920-1939 criticism France jazz reception Fouché, Nicole Les limites de la réception savante du jazz en France : La Revue musicale, 1920-1939 |
| topic_facet |
1920-1939 critique France jazz réception 1920-1939 criticism France jazz reception |
| description |
All things considered, one may claim that, during the 1920s and 1930s, La Revue musicale, a serious (and very Parisian) musical publication became aware of the importance of jazz for the French musical elite (made up of connoisseurs, critics and musicians). Well-known professional musical critics —Henry Prunières, André Cœuroy, Arthur Hoerée, Hugues Panassié and others — expressed the view that jazz was indeed a new combination of music, rhythm and life, but they eventually failed in their effort to understand it because of certain cultural barriers : jazz and Negro cultural values, jazz and improvisation. |
| author |
Fouché, Nicole |
| author_facet |
Fouché, Nicole |
| author_sort |
Fouché, Nicole |
| title |
Les limites de la réception savante du jazz en France : La Revue musicale, 1920-1939 |
| title_short |
Les limites de la réception savante du jazz en France : La Revue musicale, 1920-1939 |
| title_full |
Les limites de la réception savante du jazz en France : La Revue musicale, 1920-1939 |
| title_fullStr |
Les limites de la réception savante du jazz en France : La Revue musicale, 1920-1939 |
| title_full_unstemmed |
Les limites de la réception savante du jazz en France : La Revue musicale, 1920-1939 |
| title_sort |
les limites de la réception savante du jazz en france : la revue musicale, 1920-1939 |
| publishDate |
2001 |
| container_title |
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| container_issue |
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https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-francaise-d-etudes-americaines-2001-5-page-38?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rfea.hs01.0038 |
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