Affichage professionnel: Yohann Lucas, Renaissance de Harlem et Black Arts Movement. La Construction d’un canon littéraire africain-américain, Paris : Sorbonne Université Presses, 2025, 392 p.

Yohann Lucas, Renaissance de Harlem et Black Arts Movement. La Construction d’un canon littéraire africain-américain, Paris : Sorbonne Université Presses, 2025, 392 p.

This section highlights the major transformations currently reshaping research subjects in North-American Studies. The poststructuralist and postcolonial revolutions have expanded corpora and legitimized previously neglected sources, especially those produced by historically marginalized groups. Thi...

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Auteur principal:	Bigache, Adam
Format:	Article ou chapitre numérique
Langue:	Français
Publié:	2026
Accès en ligne:	Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM

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spelling	cairn-RFEA_187_0179RFEARevue française d’études américaines https://shs.cairn.info/revue-francaise-d-etudes-americaines-2026-2-page-179?lang=fr https://doi.org/10.3917/rfea.187.0179 Yohann Lucas, Renaissance de Harlem et Black Arts Movement. La Construction d’un canon littéraire africain-américain, Paris : Sorbonne Université Presses, 2025, 392 p. Bigache, Adam2026 fre Revue française d’études américaines \| 187 \| 2 \| 2026-06-22 \| p. 179-181 \| 0397-7870 RFEA_18783 This section highlights the major transformations currently reshaping research subjects in North-American Studies. The poststructuralist and postcolonial revolutions have expanded corpora and legitimized previously neglected sources, especially those produced by historically marginalized groups. This movement continues in response to technological, media, and social upheavals, which invite the exploration of new objects, such as literature that is now multi-media, at the crossroads of page, screen, and performance. The contributors also question the scholar’s stance, challenging claims to objectivity and academic detachment in favor of a commitment that is both political and pedagogical. Against a backdrop of multifaceted crisis—political, social, ecological, cultural—their reflections reveal a demanding dynamism, one that is anxious yet hopeful. Monica Michlin and Guillaume Marche trace their intellectual journeys in light of these changes, while Jacob Maillet and Julie Vatain respectively explore the Anthropocene and theater as sites of resistance. Through several generations of researchers, the RFEA thus affirms its mission to engage with the contemporary world in all its complexity, fully embracing the social and political responsibility of the humanities.Cairn restricted access
language	Français
format	Article ou chapitre numérique
building	0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/
description	This section highlights the major transformations currently reshaping research subjects in North-American Studies. The poststructuralist and postcolonial revolutions have expanded corpora and legitimized previously neglected sources, especially those produced by historically marginalized groups. This movement continues in response to technological, media, and social upheavals, which invite the exploration of new objects, such as literature that is now multi-media, at the crossroads of page, screen, and performance. The contributors also question the scholar’s stance, challenging claims to objectivity and academic detachment in favor of a commitment that is both political and pedagogical. Against a backdrop of multifaceted crisis—political, social, ecological, cultural—their reflections reveal a demanding dynamism, one that is anxious yet hopeful. Monica Michlin and Guillaume Marche trace their intellectual journeys in light of these changes, while Jacob Maillet and Julie Vatain respectively explore the Anthropocene and theater as sites of resistance. Through several generations of researchers, the RFEA thus affirms its mission to engage with the contemporary world in all its complexity, fully embracing the social and political responsibility of the humanities.
author	Bigache, Adam
spellingShingle	Bigache, Adam Yohann Lucas, Renaissance de Harlem et Black Arts Movement. La Construction d’un canon littéraire africain-américain, Paris : Sorbonne Université Presses, 2025, 392 p.
author_facet	Bigache, Adam
author_sort	Bigache, Adam
title	Yohann Lucas, Renaissance de Harlem et Black Arts Movement. La Construction d’un canon littéraire africain-américain, Paris : Sorbonne Université Presses, 2025, 392 p.
title_short	Yohann Lucas, Renaissance de Harlem et Black Arts Movement. La Construction d’un canon littéraire africain-américain, Paris : Sorbonne Université Presses, 2025, 392 p.
title_full	Yohann Lucas, Renaissance de Harlem et Black Arts Movement. La Construction d’un canon littéraire africain-américain, Paris : Sorbonne Université Presses, 2025, 392 p.
title_fullStr	Yohann Lucas, Renaissance de Harlem et Black Arts Movement. La Construction d’un canon littéraire africain-américain, Paris : Sorbonne Université Presses, 2025, 392 p.
title_full_unstemmed	Yohann Lucas, Renaissance de Harlem et Black Arts Movement. La Construction d’un canon littéraire africain-américain, Paris : Sorbonne Université Presses, 2025, 392 p.
title_sort	yohann lucas, renaissance de harlem et black arts movement. la construction d’un canon littéraire africain-américain, paris : sorbonne université presses, 2025, 392 p.
publishDate	2026
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Yohann Lucas, Renaissance de Harlem et Black Arts Movement. La Construction d’un canon littéraire africain-américain, Paris : Sorbonne Université Presses, 2025, 392 p.

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