Jess A. Goldberg, Abolition Time: Grammars of Law, Poetics of Justice, Minneapolis and London: University of Minnesota Press, 2024, 270 p.
This article examines letters sent by radio listeners to musicians and hosts of programs broadcasting old-time music in the 1930s and 1940s. It situates these sources within a social history of radio and everyday musical practices. These documents allow us to look at the commercialization of radio a...
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| フォーマット: | Article ou chapitre numérique |
| 言語: | Français |
| 出版事項: |
2026
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| オンライン･アクセス: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| 要約: | This article examines letters sent by radio listeners to musicians and hosts of programs broadcasting old-time music in the 1930s and 1940s. It situates these sources within a social history of radio and everyday musical practices. These documents allow us to look at the commercialization of radio and the commodification of music from the audience’s perspective. The article shows that those letters functioned as a commercial product through which listeners engaged with their own musical practices. It also sheds light on the market-oriented lens through which they saw music-making. |
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